Dorothy Parker - A Telephone Call

PLEASE, God, let him telephone me now. Dear God, let him call me now. I won't ask anything else of You, truly I won't. It isn't very much to ask. It would be so little to You, God, such a little, little thing. Only let him telephone now. Please, God. Please, please, please.
If I didn't think about it, maybe the telephone might ring. Sometimes it does that. If I could think of something else. If I could think of something else. Knobby if I counted five hundred by fives, it might ring by that time. I'll count slowly. I won't cheat. And if it rings when I get to three hundred, I won't stop; I won't answer it until I get to five hundred. Five, ten, fifteen, twenty, twenty-five, thirty, thirty-five, forty, forty-five, fifty.... Oh, please ring. Please.
This is the last time I'll look at the clock. I will not look at it again. It's ten minutes past seven. He said he would telephone at five o'clock. "I'll call you at five, darling." I think that's where he said "darling." I'm almost sure he said it there. I know he called me "darling" twice, and the other time was when he said good-by. "Good-by, darling." He was busy, and he can't say much in the office, but he called me "darling" twice. He couldn't have minded my calling him up. I know you shouldn't keep telephoning them--I know they don't like that. When you do that they know you are thinking about them and wanting them, and that makes them hate you. But I hadn't talked to him in three days-not in three days. And all I did was ask him how he was; it was just the way anybody might have called him up. He couldn't have minded that. He couldn't have thought I was bothering him. "No, of course you're not," he said. And he said he'd telephone me. He didn't have to say that. I didn't ask him to, truly I didn't. I'm sure I didn't. I don't think he would say he'd telephone me, and then just never do it. Please don't let him do that, God. Please don't.
"I'll call you at five, darling." "Good-by, darling.,' He was busy, and he was in a hurry, and there were people around him, but he called me "darling" twice. That's mine, that's mine. I have that, even if I never see him again. Oh, but that's so little. That isn't enough. Nothing's enough, if I never see him again. Please let me see him again, God. Please, I want him so much. I want him so much. I'll be good, God. I will try to be better, I will, If you will let me see him again. If You will let him telephone me. Oh, let him telephone me now.

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Bio: Wikipedia
Link: Dorothy Parker

Book Choice: The Portable Dorothy Parker (Penguin Classics Deluxe Edition) 

Washington Irving - The Knight of Malta

TO THE EDITOR OF THE KNICKERBOCKER

SIR,

In the course of a tour which I made in Sicily, in the days of my juvenility, I passed some little time at the ancient city of Catania, at the foot of Mount Ætna. Here I became acquainted with the Chevalier L----, an old Knight of Malta. It was not many years after the time that Napoleon had dislodged the knights from their island, and he still wore the insignia of his order. He was not, however, one of those reliques of that once chivalrous body, who had been described was "a few worn-out old men, creeping about certain parts of Europe, with the Maltese cross on their breasts;" on the contrary, though advanced in life, his form was still light and vigorous; he had a pale, thin, intellectual visage, with a high forehead, and a bright, visionary eye. He seemed to take a fancy to me, as I certainly did to him, and we soon became intimate, I visited him occasionally, at his apartments, in the wing of an old palace, looking toward Mount Ætna. He was an antiquary, a virtuoso, and a connoisseur. His rooms were decorated with mutilated statues, dug up from Grecian and Roman ruins; old vases, lachrymals, and sepulchral lamps. He had astronomical and chemical instruments, and black-letter books, in various languages. I found that he had dipped a little in chimerical studies and had a hankering after astrology and alchymy. He affected to believe in dreams and visions, and delighted in the fanciful Rosicrucian doctrines. I cannot persuade myself, however, that he really believed in all these: I rather think he loved to let his imagination carry him away into the boundless fairy land which they unfolded.
In company with the chevalier, I took several excursions on horseback about the environs of Catania, and the picturesque skirts of Mount Etna. One of these led through a village, which had sprung up on the very tract of an ancient eruption, the houses being built of lava. At one time we passed, for some distance, along a narrow lane, between two high dead convent walls. It was a cut-throat-looking place, in a country where assassinations are frequent; and just about midway through it, we observed blood upon the pavement and the walls, as if a murder had actually been committed there.

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Book Choice: The Legend of Sleepy Hollow. (Graphic Revolve)

Edgar Allan Poe - The Murders in the Rue Morgue

What song the Syrens sang, or what name Achilles assumed when he bid himself among women, although puzzling questions, are not beyond all conjecture.Sir Thomas Browne,Urn-Burial The mental features discoursed of as the analytical, are, in themselves, but little susceptible of analysis. We appreciate them only in their effects. We know of them, among other things, that they are always to their possessor, when inordinately possessed, a source of the liveliest enjoyment. As the strong man exults in his physical ability, delighting in such exercises as call his muscles into action, so glories the analyst in that moral activity which disentangles. He derives pleasure from even the most trivial occupations bringing his talent into play. He is fond of enigmas, of conundrums, hieroglyphics; exhibiting in his solutions of each a degree of acumen which appears to the ordinary apprehension praeternatural. His results, brought about by the very soul and essence of method, have, in truth, the whole air of intuition. The faculty of re-solution is possibly much invigorated by mathematical study, and especially by that highest branch of it which, unjustly, and merely on account of its retrograde operations, has been called, as if par excellence, analysis. Yet to calculate is not in itself to analyze. A chess-player, for example, does the one, without effort at the other. It follows that the game of chess, in its effects upon mental character, is greatly misunderstood. I am not now writing a treatise, but simply prefacing a some-what peculiar narrative by observations very much at random; I will, therefore, take occasion to assert that the higher powers of the reflective intellect are more decidedly and more usefully tasked by the unostentatious game of draughts than by all the elaborate frivolity of chess. In this latter, where the pieces have different and bizarre motions, with various and variable values, what is only complex, is mistaken (a not unusual error) for what is profound. The attention is here called powerfully into play. If it flag for an instant, an oversight is committed, resulting in injury or defeat. The possible moves being not only manifold, but involute, the chances of such oversights are multiplied; and in nine cases out of ten, it is the more concentrative rather than the more acute player who conquers. In draughts, on the contrary, where the moves are unique and have but little variation, the probabilities of inadvertence are diminished, and the mere attention being left comparatively unemployed, what advantages are obtained by either party are obtained by superior acumen. To be less abstract, let us suppose a game of draughts where the pieces are reduced to four kings, and where, of course, no oversight is to be expected. It is obvious that here the victory can be decided (the players being at all equal) only by some recherche movement, the result of some strong exertion of the intellect. Deprived of ordinary resources, the analyst throws himself into the spirit of his opponent, identifies himself therewith, and not unfrequently sees thus, at a glance, the sole methods (sometimes indeed absurdly simple ones) by which he may seduce into error or hurry into miscalculation.

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Book Choice: The Works of Edgar Allan Poe, The Raven Edition - Table Of Contents And Index Of The Five Volumes

Books for the autumn

Finally, the books that I’ve ordered from Amazon -courtesy of the Cyprus postal services- have arrived, with just over a month’s delay. Well, as they say, better late than never. As you can see from the titles below this is going to be a very busy autumn for yours truly...

A) The Japanese:

Real World – Natsuo Kirino
The Diving Pool – Yoko Ogawa
Blind Willow, Sleeping Woman – Haruki Murakami
Piercing – Ryu Murakami
Amrita – Banana Yoshimoto
Crossfire – Miyuki Miyabe
Snakes and Earring – Hitomi Kanehara

B) The African

When the Lion Feeds – Wilbur Smith
Desert Children – Waris Dirie
Half a Yellow Sun – Chimamanda Ngozi Adichie
Anthills of the Savannah – Chinua Achebe

C) The English

Possession – A.S. Byatt

D) The American

The Harry Bosch Novels vol.2 – Michael Connelly

Anton Chekhov - Love

Just before the night falls, there's nothing better to make you relax than a story by the old master, Anton Chekhov. Here's the Love:

THREE o'clock in the morning. The soft April night is looking in at my windows and caressingly winking at me with its stars. I can't sleep, I am so happy! "My whole being from head to heels is bursting with a strange, incomprehensible feeling. I can't analyse it just now -- I haven't the time, I'm too lazy, and there -- hang analysis! Why, is a man likely to interpret his sensations when he is flying head foremost from a belfry, or has just learned that he has won two hundred thousand? Is he in a state to do it?" This was more or less how I began my love-letter to Sasha, a girl of nineteen with whom I had fallen in love. I began it five times, and as often tore up the sheets, scratched out whole pages, and copied it all over again. I spent as long over the letter as if it had been a novel I had to write to order. And it was not because I tried to make it longer, more elaborate, and more fervent, but because I wanted endlessly to prolong the process of this writing, when one sits in the stillness of one's study and communes with one's own day-dreams while the spring night looks in at one's window. Between the lines I saw a beloved image, and it seemed to me that there were, sitting at the same table writing with me, spirits as naïvely happy, as foolish, and as blissfully smiling as I. I wrote continually, looking at my hand, which still ached deliciously where hers had lately pressed it, and if I turned my eyes away I had a vision of the green trellis of the little gate. Through that trellis Sasha gazed at me after I had said goodbye to her. When I was saying good-bye to Sasha I was thinking of nothing and was simply admiring her figure as every decent man admires a pretty woman; when I saw through the trellis two big eyes, I suddenly, as though by inspiration, knew that I was in love, that it was all settled between us, and fully decided already, that I had nothing left to do but to carry out certain formalities. It is a great delight also to seal up a love-letter, and, slowly putting on one's hat and coat, to go softly out of the house and to carry the treasure to the post. There are no stars in the sky now: in their place there is a long whitish streak in the east, broken here and there by clouds above the roofs of the dingy houses; from that streak the whole sky is flooded with pale light. The town is asleep, but already the water-carts have come out, and somewhere in a far-away factory a whistle sounds to wake up the workpeople. Beside the postbox, slightly moist with dew, you are sure to see the clumsy figure of a house porter, wearing a bell-shaped sheepskin and carrying a stick. He is in a condition akin to catalepsy: he is not asleep or awake, but something between. If the boxes knew how often people resort to them for the decision of their fate, they would not have such a humble air. I, anyway, almost kissed my postbox, and as I gazed at it I reflected that the post is the greatest of blessings. I beg anyone who has ever been in love to remember how one usually hurries home after dropping the letter in the box, rapidly gets into bed and pulls up the quilt in the full conviction that as soon as one wakes up in the morning one will be overwhelmed with memories of the previous day and look with rapture at the window, where the daylight will be eagerly making its way through the folds of the curtain. Well, to facts. . . . Next morning at midday, Sasha's maid brought me the following answer: "I am delited be sure to come to us to day please I shall expect you. Your S." Not a single comma. This lack of punctuation, and the misspelling of the word "delighted," the whole letter, and even the long, narrow envelope in which it was put filled my heart with tenderness. In the sprawling but diffident handwriting I recognised Sasha's walk, her way of raising her eyebrows when she laughed, the movement of her lips. . . . But the contents of the letter did not satisfy me. In the first place, poetical letters are not answered in that way, and in the second, why should I go to Sasha's house to wait till it should occur to her stout mamma, her brothers, and poor relations to leave us alone together? It would never enter their heads, and nothing is more hateful than to have to restrain one's raptures simply because of the intrusion of some animate trumpery in the shape of a half-deaf old woman or little girl pestering one with questions. I sent an answer by the maid asking Sasha to select some park or boulevard for a rendezvous. My suggestion was readily accepted. I had struck the right chord, as the saying is. Between four and five o'clock in the afternoon I made my way to the furthest and most overgrown part of the park. There was not a soul in the park, and the tryst might have taken place somewhere nearer in one of the avenues or arbours, but women don't like doing it by halves in romantic affairs; in for a penny, in for a pound -- if you are in for a tryst, let it be in the furthest and most impenetrable thicket, where one runs the risk of stumbling upon some rough or drunken man. When I went up to Sasha she was standing with her back to me, and in that back I could read a devilish lot of mystery. It seemed as though that back and the nape of her neck, and the black spots on her dress were saying: Hush! . . . The girl was wearing a simple cotton dress over which she had thrown a light cape. To add to the air of mysterious secrecy, her face was covered with a white veil. Not to spoil the effect, I had to approach on tiptoe and speak in a half whisper. From what I remember now, I was not so much the essential point of the rendezvous as a detail of it. Sasha was not so much absorbed in the interview itself as in its romantic mysteriousness, my kisses, the silence of the gloomy trees, my vows. . . . There was not a minute in which she forgot herself, was overcome, or let the mysterious expression drop from her face, and really if there had been any Ivan Sidoritch or Sidor Ivanitch in my place she would have felt just as happy. How is one to make out in such circumstances whether one is loved or not? Whether the love is "the real thing" or not? From the park I took Sasha home with me. The presence of the beloved woman in one's bachelor quarters affects one like wine and music. Usually one begins to speak of the future, and the confidence and self-reliance with which one does so is beyond bounds. You make plans and projects, talk fervently of the rank of general though you have not yet reached the rank of a lieutenant, and altogether you fire off such high-flown nonsense that your listener must have a great deal of love and ignorance of life to assent to it. Fortunately for men, women in love are always blinded by their feelings and never know anything of life. Far from not assenting, they actually turn pale with holy awe, are full of reverence and hang greedily on the maniac's words. Sasha listened to me with attention, but I soon detected an absent-minded expression on her face, she did not understand me. The future of which I talked interested her only in its external aspect and I was wasting time in displaying my plans and projects before her. She was keenly interested in knowing which would be her room, what paper she would have in the room, why I had an upright piano instead of a grand piano, and so on. She examined carefully all the little things on my table, looked at the photographs, sniffed at the bottles, peeled the old stamps off the envelopes, saying she wanted them for something. "Please collect old stamps for me!" she said, making a grave face. "Please do." Then she found a nut in the window, noisily cracked it and ate it. "Why don't you stick little labels on the backs of your books?" she asked, taking a look at the bookcase. "What for?" "Oh, so that each book should have its number. And where am I to put my books? I've got books too, you know." "What books have you got?" I asked. Sasha raised her eyebrows, thought a moment and said: "All sorts." And if it had entered my head to ask her what thoughts, what convictions, what aims she had, she would no doubt have raised her eyebrows, thought a minute, and have said in the same way: "All sorts." Later I saw Sasha home and left her house regularly, officially engaged, and was so reckoned till our wedding. If the reader will allow me to judge merely from my personal experience, I maintain that to be engaged is very dreary, far more so than to be a husband or nothing at all. An engaged man is neither one thing nor the other, he has left one side of the river and not reached the other, he is not married and yet he can't be said to be a bachelor, but is in something not unlike the condition of the porter whom I have mentioned above. Every day as soon as I had a free moment I hastened to my fiancée. As I went I usually bore within me a multitude of hopes, desires, intentions, suggestions, phrases. I always fancied that as soon as the maid opened the door I should, from feeling oppressed and stifled, plunge at once up to my neck into a sea of refreshing happiness. But it always turned out otherwise in fact. Every time I went to see my fiancée I found all her family and other members of the household busy over the silly trousseau. (And by the way, they were hard at work sewing for two months and then they had less than a hundred roubles' worth of things). There was a smell of irons, candle grease and fumes. Bugles scrunched under one's feet. The two most important rooms were piled up with billows of linen, calico, and muslin and from among the billows peeped out Sasha's little head with a thread between her teeth. All the sewing party welcomed me with cries of delight but at once led me off into the dining-room where I could not hinder them nor see what only husbands are permitted to behold. In spite of my feelings, I had to sit in the dining-room and converse with Pimenovna, one of the poor relations. Sasha, looking worried and excited, kept running by me with a thimble, a skein of wool or some other boring object. "Wait, wait, I shan't be a minute," she would say when I raised imploring eyes to her. "Only fancy that wretch Stepanida has spoilt the bodice of the barège dress!" And after waiting in vain for this grace, I lost my temper, went out of the house and walked about the streets in the company of the new cane I had bought. Or I would want to go for a walk or a drive with my fiancée, would go round and find her already standing in the hall with her mother, dressed to go out and playing with her parasol. "Oh, we are going to the Arcade," she would say. "We have got to buy some more cashmere and change the hat." My outing is knocked on the head. I join the ladies and go with them to the Arcade. It is revoltingly dull to listen to women shopping, haggling and trying to outdo the sharp shopman. I felt ashamed when Sasha, after turning over masses of material and knocking down the prices to a minimum, walked out of the shop without buying anything, or else told the shopman to cut her some half rouble's worth. When they came out of the shop, Sasha and her mamma with scared and worried faces would discuss at length having made a mistake, having bought the wrong thing, the flowers in the chintz being too dark, and so on. Yes, it is a bore to be engaged! I'm glad it's over. Now I am married. It is evening. I am sitting in my study reading. Behind me on the sofa Sasha is sitting munching something noisily. I want a glass of beer. "Sasha, look for the corkscrew. . . ." I say. "It's lying about somewhere." Sasha leaps up, rummages in a disorderly way among two or three heaps of papers, drops the matches, and without finding the corkscrew, sits down in silence. . . . Five minutes pass -- ten. . . I begin to be fretted both by thirst and vexation. "Sasha, do look for the corkscrew," I say. Sasha leaps up again and rummages among the papers near me. Her munching and rustling of the papers affects me like the sound of sharpening knives against each other. . . . I get up and begin looking for the corkscrew myself. At last it is found and the beer is uncorked. Sasha remains by the table and begins telling me something at great length. "You'd better read something, Sasha," I say. She takes up a book, sits down facing me and begins moving her lips. . . . I look at her little forehead, moving lips, and sink into thought. "She is getting on for twenty. . . ." I reflect. "If one takes a boy of the educated class and of that age and compares them, what a difference! The boy would have knowledge and convictions and some intelligence." But I forgive that difference just as the low forehead and moving lips are forgiven. I remember in my old Lovelace days I have cast off women for a stain on their stockings, or for one foolish word, or for not cleaning their teeth, and now I forgive everything: the munching, the muddling about after the corkscrew, the slovenliness, the long talking about nothing that matters; I forgive it all almost unconsciously, with no effort of will, as though Sasha's mistakes were my mistakes, and many things which would have made me wince in old days move me to tenderness and even rapture. The explanation of this forgiveness of everything lies in my love for Sasha, but what is the explanation of the love itself, I really don't know.

Source: OnLine Literature

Book Choice: Forty Stories 

Irish Fairy Tales - The Wonderful Tune

Maurice Connor was the king, and that’s no small word, of all the pipers in Munster. He could play jig and reel without end, and Ollistrum’s March, and the Eagle’s Whistle, and the Hen’s Concert, and odd tunes of every sort and kind. But he knew one far more surprising than the rest, which had in it the power to set everything dead or alive dancing.
In what way he learned it is beyond my knowledge for he was mighty cautious about telling how he came by so wonderful a tune. At the very first note of that tune the shoes began shaking upon the feet of all how heard it—old or young, it mattered not—just as if the shoes had the ague; then the feet began going, going, going from under them, and at last up and away with them, dancing like mad, whisking here, there, and everywhere, like a straw in a storm— there was no halting while the music lasted.
Not a fair, nor a wedding, nor a feast in the seven parishes round, was counted worth the speaking of without ‘blind Maurice and his pipes.’ His mother, poor woman, used to lead him about from one place to another just like a dog.
Down through Iveragh, Maurice Connor and his mother were taking their rounds. Beyond all other places Iveragh is the place for stormy coasts and steep mountains, as proper a spot it is as any in Ireland to get yourself drowned, or your neck broken on the land, should you prefer that. But, notwithstanding, in Ballinskellig Bay there is a neat bit of ground, well fitted for diversion, and down from it, towards the water, is a clean smooth piece of strand, the dead image of a calm summer’s sea on a moonlight night, with just the curl of the small waves upon it.
Here is was that Maurice’s music had brought from all parts a great gathering of the young men and the young women; for ’twas not every day the strand of Trafraska was stirred up by the voice of a bagpipe. The dance began; and as pretty a dance it was as ever was danced. ‘Brave music,’ said everybody, ‘and well done,’ when Maurice stopped...

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Book Choice: Irish fairy tales

Kate Chopin - Desiree's Baby

For this fine, but a little bit cloudy, Sunday afternoon here's a story by the famous Kate Chopin. Read about Desiree's Baby:

As the day was pleasant, Madame Valmonde drove over to L'Abri to see Desiree and the baby. It made her laugh to think of Desiree with a baby. Why, it seemed but yesterday that Desiree was little more than a baby herself; when Monsieur in riding through the gateway of Valmonde had found her lying asleep in the shadow of the big stone pillar.
The little one awoke in his arms and began to cry for "Dada." That was as much as she could do or say. Some people thought she might have strayed there of her own accord, for she was of the toddling age. The prevailing belief was that she had been purposely left by a party of Texans, whose canvas-covered wagon, late in the day, had crossed the ferry that Coton Mais kept, just below the plantation. In time Madame Valmonde abandoned every speculation but the one that Desiree had been sent to her by a beneficent Providence to be the child of her affection, seeing that she was without child of the flesh. For the girl grew to be beautiful and gentle, affectionate and sincere - the idol of Valmonde.
It was no wonder, when she stood one day against the stone pillar in whose shadow she had lain asleep, eighteen years before, that Armand Aubigny riding by and seeing her there, had fallen in love with her. That was the way all the Aubignys fell in love, as if struck by a pistol shot. The wonder was that he had not loved her before; for he had known her since his father brought him home from Paris, a boy of eight, after his mother died there. The passion that awoke in him that day, when he saw her at the gate, swept along like an avalanche, or like a prairie fire, or like anything that drives headlong over all obstacles.
Monsieur Valmonde grew practical and wanted things well considered: that is, the girl's obscure origin. Armand looked into her eyes and did not care. He was reminded that she was nameless. What did it matter about a name when he could give her one of the oldest and proudest in Louisiana? He ordered the corbeille from Paris, and contained himself with what patience he could until it arrived; then they were married.
Madame Valmonde had not seen Desiree and the baby for four weeks. When she reached L'Abri she shuddered at the first sight of it, as she always did. It was a sad looking place, which for many years had not known the gentle presence of a mistress, old Monsieur Aubigny having married and buried his wife in France, and she having loved her own land too well ever to leave it. The roof came down steep and black like a cowl, reaching out beyond the wide galleries that encircled the yellow stuccoed house. Big, solemn oaks grew close to it, and their thick-leaved, far-reaching branches shadowed it like a pall. Young Aubigny's rule was a strict one, too, and under it his negroes had forgotten how to be gay, as they had been during the old master's easy-going and indulgent lifetime.
The young mother was recovering slowly, and lay full length, in her soft white muslins and laces, upon a couch. The baby was beside her, upon her arm, where he had fallen asleep, at her breast. The yellow nurse woman sat beside a window fanning herself.
Madame Valmonde bent her portly figure over Desiree and kissed her, holding her an instant tenderly in her arms. Then she turned to the child.
"This is not the baby!" she exclaimed, in startled tones. French was the language spoken at Valmonde in those days.
"I knew you would be astonished," laughed Desiree, "at the way he has grown. The little cochon de lait! Look at his legs, mamma, and his hands and fingernails - real finger-nails. Zandrine had to cut them this morning. Isn't it true, Zandrine?"
The woman bowed her turbaned head majestically, "Mais si, Madame."
"And the way he cries," went on Desiree, "is deafening. Armand heard him the other day as far away as La Blanche's cabin."
Madame Valmonde had never removed her eyes from the child. She lifted it and walked with it over to the window that was lightest. She scanned the baby narrowly, then looked as searchingly at Zandrine, whose face was turned to gaze across the fields.
"Yes, the child has grown, has changed," said Madame Valmonde, slowly, as she replaced it beside its mother. "What does Armand say?"
Desiree's face became suffused with a glow that was happiness itself.
"Oh, Armand is the proudest father in the parish, I believe, chiefly because it is a boy, to bear his name; though he says not - that he would have loved a girl as well. But I know it isn't true. I know he says that to please me. And mamma," she added, drawing Madame Valmonde's head down to her, and speaking in a whisper, "he hasn't punished one of them - not one of them - since baby is born. Even Negrillon, who pretended to have burnt his leg that he might rest from work - he only laughed, and said Negrillon was a great scamp. Oh, mamma, I'm so happy; it frightens me."
What Desiree said was true. Marriage, and later the birth of his son had softened Armand Aubigny's imperious and exacting nature greatly. This was what made the gentle Desiree so happy, for she loved him desperately. When he frowned she trembled, but loved him. When he smiled, she asked no greater blessing of God. But Armand's dark, handsome face had not often been disfigured by frowns since the day he fell in love with her.
When the baby was about three months old, Desiree awoke one day to the conviction that there was something in the air menacing her peace. It was at first too subtle to grasp. It had only been a disquieting suggestion; an air of mystery among the blacks; unexpected visits from far-off neighbors who could hardly account for their coming. Then a strange, an awful change in her husband's manner, which she dared not ask him to explain. When he spoke to her, it was with averted eyes, from which the old love-light seemed to have gone out. He absented himself from home; and when there, avoided her presence and that of her child, without excuse. And the very spirit of Satan seemed suddenly to take hold of him in his dealings with the slaves. Desiree was miserable enough to die.
She sat in her room, one hot afternoon, in her peignoir, listlessly drawing through her fingers the strands of her long, silky brown hair that hung about her shoulders. The baby, half naked, lay asleep upon her own great mahogany bed, that was like a sumptuous throne, with its satin-lined half-canopy. One of La Blanche's little quadroon boys - half naked too - stood fanning the child slowly with a fan of peacock feathers. Desiree's eyes had been fixed absently and sadly upon the baby, while she was striving to penetrate the threatening mist that she felt closing about her. She looked from her child to the boy who stood beside him, and back again; over and over. "Ah!" It was a cry that she could not help; which she was not conscious of having uttered. The blood turned like ice in her veins, and a clammy moisture gathered upon her face.
She tried to speak to the little quadroon boy; but no sound would come, at first. When he heard his name uttered, he looked up, and his mistress was pointing to the door. He laid aside the great, soft fan, and obediently stole away, over the polished floor, on his bare tiptoes. She stayed motionless, with gaze riveted upon her child, and her face the picture of fright. Presently her husband entered the room, and without noticing her, went to a table and began to search among some papers which covered it.
"Armand," she called to him, in a voice which must have stabbed him, if he was human. But he did not notice. "Armand," she said again. Then she rose and tottered towards him. "Armand," she panted once more, clutching his arm, "look at our child. What does it mean? Tell me."
He coldly but gently loosened her fingers from about his arm and thrust the hand away from him. "Tell me what it means!" she cried despairingly.
"It means," he answered lightly, "that the child is not white; it means that you are not white." A quick conception of all that this accusation meant for her nerved her with unwonted courage to deny it. "It is a lie; it is not true, I am white! Look at my hair, it is brown; and my eyes are gray, Armand, you know they are gray. And my skin is fair," seizing his wrist. "Look at my hand; whiter than yours, Armand," she laughed hysterically.
"As white as La Blanche's," he returned cruelly; and went away leaving her alone with their child.
When she could hold a pen in her hand, she sent a despairing letter to Madame Valmonde. "My mother, they tell me I am not white. Armand has told me I am not white. For God's sake tell them it is not true. You must know it is not true. I shall die. I must die. I cannot be so unhappy, and live."
The answer that came was brief:
"My own Desiree: Come home to Valmonde; back to your mother who loves you. Come with your child."
When the letter reached Desiree she went with it to her husband's study, and laid it open upon the desk before which he sat. She was like a stone image: silent, white, motionless after she placed it there.
In silence he ran his cold eyes over the written words.
He said nothing. "Shall I go, Armand?" she asked in tones sharp with agonized suspense.
"Yes, go."
"Do you want me to go?"
"Yes, I want you to go."
He thought Almighty God had dealt cruelly and unjustly with him; and felt, somehow, that he was paying Him back in kind when he stabbed thus into his wife's soul. Moreover he no longer loved her, because of the unconscious injury she had brought upon his home and his name. She turned away like one stunned by a blow, and walked slowly towards the door, hoping he would call her back.
"Good-by, Armand," she moaned.
He did not answer her. That was his last blow at fate.
Desiree went in search of her child. Zandrine was pacing the sombre gallery with it. She took the little one from the nurse's arms with no word of explanation, and descending the steps, walked away, under the live-oak branches.
It was an October afternoon; the sun was just sinking. Out in the still fields the negroes were picking cotton.
Desiree had not changed the thin white garment nor the slippers which she wore. Her hair was uncovered and the sun's rays brought a golden gleam from its brown meshes. She did not take the broad, beaten road which led to the far-off plantation of Valmonde. She walked across a deserted field, where the stubble bruised her tender feet, so delicately shod, and tore her thin gown to shreds.
She disappeared among the reeds and willows that grew thick along the banks of the deep, sluggish bayou; and she did not come back again.
Some weeks later there was a curious scene enacted at L'Abri. In the centre of the smoothly swept back yard was a great bonfire. Armand Aubigny sat in the wide hallway that commanded a view of the spectacle; and it was he who dealt out to a half dozen negroes the material which kept this fire ablaze.
A graceful cradle of willow, with all its dainty furbishings, was laid upon the pyre, which had already been fed with the richness of a priceless layette. Then there were silk gowns, and velvet and satin ones added to these; laces, too, and embroideries; bonnets and gloves; for the corbeille had been of rare quality.
The last thing to go was a tiny bundle of letters; innocent little scribblings that Desiree had sent to him during the days of their espousal. There was the remnant of one back in the drawer from which he took them. But it was not Desiree's; it was part of an old letter from his mother to his father. He read it. She was thanking God for the blessing of her husband's love:--
"But above all," she wrote, "night and day, I thank the good God for having so arranged our lives that our dear Armand will never know that his mother, who adores him, belongs to the race that is cursed with the brand of slavery."
Source: East of the Web

Book Choice: The Awakening and Selected Stories of Kate Chopin (Enriched Classics (Pocket))

The Alan Parson Project - The fall of the house of Usher

Audio Choice: Tales Of Mystery And Imagination - Edgar Allan Poe

The Alan Parson Project - The Raven

Audio Choice: Tales Of Mystery And Imagination - Edgar Allan Poe

Kate Chopin - The Storm

The leaves were so still that even Bibi thought it was going to rain. Bobinôt, who was accustomed to converse on terms of perfect equality with his little son, called the child's attention to certain sombre clouds that were rolling with sinister intention from the west, accompanied by a sullen, threatening roar. They were at Friedheimer's store and decided to remain there till the storm had passed. They sat within the door on two empty kegs. Bibi was four years old and looked very wise.
"Mama'll be 'fraid, yes, he suggested with blinking eyes.
"She'll shut the house. Maybe she got Sylvie helpin' her this evenin'," Bobinôt responded reassuringly.
"No; she ent got Sylvie. Sylvie was helpin' her yistiday,' piped Bibi.
Bobinôt arose and going across to the counter purchased a can of shrimps, of which Calixta was very fond. Then he retumed to his perch on the keg and sat stolidly holding the can of shrimps while the storm burst. It shook the wooden store and seemed to be ripping great furrows in the distant field. Bibi laid his little hand on his father's knee and was not afraid.
Calixta, at home, felt no uneasiness for their safety. She sat at a side window sewing furiously on a sewing machine. She was greatly occupied and did not notice the approaching storm. But she felt very warm and often stopped to mop her face on which the perspiration gathered in beads. She unfastened her white sacque at the throat. It began to grow dark, and suddenly realizing the situation she got up hurriedly and went about closing windows and doors.
Out on the small front gallery she had hung Bobinôt's Sunday clothes to dry and she hastened out to gather them before the rain fell. As she stepped outside, Alcée Laballière rode in at the gate. She had not seen him very often since her marriage, and never alone. She stood there with Bobinôt's coat in her hands, and the big rain drops began to fall. Alcée rode his horse under the shelter of a side projection where the chickens had huddled and there were plows and a harrow piled up in the corner.
"May I come and wait on your gallery till the storm is over, Calixta?" he asked.
Come 'long in, M'sieur Alcée."
His voice and her own startled her as if from a trance, and she seized Bobinôt's vest. Alcée, mounting to the porch, grabbed the trousers and snatched Bibi's braided jacket that was about to be carried away by a sudden gust of wind. He expressed an intention to remain outside, but it was soon apparent that he might as well have been out in the open: the water beat in upon the boards in driving sheets, and he went inside, closing the door after him. It was even necessary to put something beneath the door to keep the water out.
"My! what a rain! It's good two years sence it rain' like that," exclaimed Calixta as she rolled up a piece of bagging and Alcée helped her to thrust it beneath the crack.
She was a little fuller of figure than five years before when she married; but she had lost nothing of her vivacity. Her blue eyes still retained their melting quality; and her yellow hair, dishevelled by the wind and rain, kinked more stubbornly than ever about her ears and temples.
The rain beat upon the low, shingled roof with a force and clatter that threatened to break an entrance and deluge them there. They were in the dining room—the sitting room—the general utility room. Adjoining was her bed room, with Bibi's couch along side her own. The door stood open, and the room with its white, monumental bed, its closed shutters, looked dim and mysterious.
Alcée flung himself into a rocker and Calixta nervously began to gather up from the floor the lengths of a cotton sheet which she had been sewing.
lf this keeps up, Dieu sait if the levees goin' to stan it!" she exclaimed.
"What have you got to do with the levees?"
"I got enough to do! An' there's Bobinôt with Bibi out in that storm—if he only didn' left Friedheimer's!"
"Let us hope, Calixta, that Bobinôt's got sense enough to come in out of a cyclone."
She went and stood at the window with a greatly disturbed look on her face. She wiped the frame that was clouded with moisture. It was stiflingly hot. Alcée got up and joined her at the window, looking over her shoulder. The rain was coming down in sheets obscuring the view of far-off cabins and enveloping the distant wood in a gray mist. The playing of the lightning was incessant. A bolt struck a tall chinaberry tree at the edge of the field. It filled all visible space with a blinding glare and the crash seemed to invade the very boards they stood upon.
Calixta put her hands to her eyes, and with a cry, staggered backward. Alcée's arm encircled her, and for an instant he drew her close and spasmodically to him.
"Bonté!" she cried, releasing herself from his encircling arm and retreating from the window, the house'll go next! If I only knew w'ere Bibi was!" She would not compose herself; she would not be seated. Alcée clasped her shoulders and looked into her face. The contact of her warm, palpitating body when he had unthinkingly drawn her into his arms, had aroused all the old-time infatuation and desire for her flesh.
"Calixta," he said, "don't be frightened. Nothing can happen. The house is too low to be struck, with so many tall trees standing about. There! aren't you going to be quiet? say, aren't you?" He pushed her hair back from her face that was warm and steaming. Her lips were as red and moist as pomegranate seed. Her white neck and a glimpse of her full, firm bosom disturbed him powerfully. As she glanced up at him the fear in her liquid blue eyes had given place to a drowsy gleam that unconsciously betrayed a sensuous desire. He looked down into her eyes and there was nothing for him to do but to gather her lips in a kiss. It reminded him of Assumption.
"Do you remember—in Assumption, Calixta?" he asked in a low voice broken by passion. Oh! she remembered; for in Assumption he had kissed her and kissed and kissed her; until his senses would well nigh fail, and to save her he would resort to a desperate flight. If she was not an immaculate dove in those days, she was still inviolate; a passionate creature whose very defenselessness had made her defense, against which his honor forbade him to prevail. Now—well, now—her lips seemed in a manner free to be tasted, as well as her round, white throat and her whiter breasts.
They did not heed the crashing torrents, and the roar of the elements made her laugh as she lay in his arms. She was a revelation in that dim, mysterious chamber; as white as the couch she lay upon. Her firm, elastic flesh that was knowing for the first time its birthright, was like a creamy lily that the sun invites to contribute its breath and perfume to the undying life of the world.
The generous abundance of her passion, without guile or trickery, was like a white flame which penetrated and found response in depths of his own sensuous nature that had never yet been reached.
When he touched her breasts they gave themselves up in quivering ecstasy, inviting his lips. Her mouth was a fountain of delight. And when he possessed her, they seemed to swoon together at the very borderland of life's mystery.
He stayed cushioned upon her, breathless, dazed, enervated, with his heart beating like a hammer upon her. With one hand she clasped his head, her lips lightly touching his forehead. The other hand stroked with a soothing rhythm his muscular shoulders.
The growl of the thunder was distant and passing away. The rain beat softly upon the shingles, inviting them to drowsiness and sleep. But they dared not yield.
The rain was over; and the sun was turning the glistening green world into a palace of gems. Calixta, on the gallery, watched Alcée ride away. He turned and smiled at her with a beaming face; and she lifted her pretty chin in the air and laughed aloud.
Bobinôt and Bibi, trudging home, stopped without at the cistern to make themselves presentable.
"My! Bibi, w'at will yo' mama say! You ought to be ashame'. You oughta' put on those good pants. Look at 'em! An' that mud on yo' collar! How you got that mud on yo' collar, Bibi? I never saw such a boy!" Bibi was the picture of pathetic resignation. Bobinôt was the embodiment of serious solicitude as he strove to remove from his own person and his son's the signs of their tramp over heavy roads and through wet fields. He scraped the mud off Bibi's bare legs and feet with a stick and carefully removed all traces from his heavy brogans. Then, prepared for the worst—the meeting with an over-scrupulous housewife, they entered cautiously at the back door.
Calixta was preparing supper. She had set the table and was dripping coffee at the hearth. She sprang up as they came in.
"Oh, Bobinôt! You back! My! but I was uneasy. W'ere you been during the rain? An' Bibi? he ain't wet? he ain't hurt?" She had clasped Bibi and was kissing him effusively. Bobinôt's explanations and apologies which he had been composing all along the way, died on his lips as Calixta felt him to see if he were dry, and seemed to express nothing but satisfaction at their safe return.
"I brought you some shrimps, Calixta," offered Bobinôt, hauling the can from his ample side pocket and laying it on the table.
"Shrimps! Oh, Bobinôt! you too good fo' anything!" and she gave him a smacking kiss on the cheek that resounded, "J'vous réponds, we'll have a feas' to-night! umph-umph!"
Bobinôt and Bibi began to relax and enjoy themselves, and when the three seated themselves at table they laughed much and so loud that anyone might have heard them as far away as Laballière's.
Alcée Laballière wrote to his wife, Clarisse, that night. It was a loving letter, full of tender solicitude. He told her not to hurry back, but if she and the babies liked it at Biloxi, to stay a month longer. He was getting on nicely; and though he missed them, he was willing to bear the separation a while longer—realizing that their health and pleasure were the first things to be considered.
As for Clarisse, she was charmed upon receiving her husband's letter. She and the babies were doing well. The society was agreeable; many of her old friends and acquaintances were at the bay. And the first free breath since her marriage seemed to restore the pleasant liberty of her maiden days. Devoted as she was to her husband, their intimate conjugal life was something which she was more than willing to forego for a while.
So the storm passed and every one was happy.

Source: About com

Book Choice: At Fault

Edgar Allan Poe - Berenice

After a long long time i've decided to bring to you yet another story by Master Edgar Allan Poe. So here's Berenice:

MISERY is manifold. The wretchedness of earth is multiform. Overreaching the wide horizon as the rainbow, its hues are as various as the hues of that arch, --as distinct too, yet as intimately blended. Overreaching the wide horizon as the rainbow! How is it that from beauty I have derived a type of unloveliness? --from the covenant of peace a simile of sorrow? But as, in ethics, evil is a consequence of good, so, in fact, out of joy is sorrow born. Either the memory of past bliss is the anguish of to-day, or the agonies which are have their origin in the ecstasies which might have been.My baptismal name is Egaeus; that of my family I will not mention. Yet there are no towers in the land more time-honored than my gloomy, gray, hereditary halls. Our line has been called a race of visionaries; and in many striking particulars --in the character of the family mansion --in the frescos of the chief saloon --in the tapestries of the dormitories --in the chiselling of some buttresses in the armory --but more especially in the gallery of antique paintings --in the fashion of the library chamber --and, lastly, in the very peculiar nature of the library's contents, there is more than sufficient evidence to warrant the belief.The recollections of my earliest years are connected with that chamber, and with its volumes --of which latter I will say no more. Here died my mother. Herein was I born. But it is mere idleness to say that I had not lived before --that the soul has no previous existence. You deny it? --let us not argue the matter. Convinced myself, I seek not to convince. There is, however, a remembrance of aerial forms --of spiritual and meaning eyes --of sounds, musical yet sad --a remembrance which will not be excluded; a memory like a shadow, vague, variable, indefinite, unsteady; and like a shadow, too, in the impossibility of my getting rid of it while the sunlight of my reason shall exist.In that chamber was I born. Thus awaking from the long night of what seemed, but was not, nonentity, at once into the very regions of fairy-land --into a palace of imagination --into the wild dominions of monastic thought and erudition --it is not singular that I gazed around me with a startled and ardent eye --that I loitered away my boyhood in books, and dissipated my youth in reverie; but it is singular that as years rolled away, and the noon of manhood found me still in the mansion of my fathers --it is wonderful what stagnation there fell upon the springs of my life --wonderful how total an inversion took place in the character of my commonest thought. The realities of the world affected me as visions, and as visions only, while the wild ideas of the land of dreams became, in turn, --not the material of my every-day existence-but in very deed that existence utterly and solely in itself.Berenice and I were cousins, and we grew up together in my paternal halls. Yet differently we grew --I ill of health, and buried in gloom --she agile, graceful, and overflowing with energy; hers the ramble on the hill-side --mine the studies of the cloister --I living within my own heart, and addicted body and soul to the most intense and painful meditation --she roaming carelessly through life with no thought of the shadows in her path, or the silent flight of the raven-winged hours. Berenice! --I call upon her name --Berenice! --and from the gray ruins of memory a thousand tumultuous recollections are startled at the sound! Ah! vividly is her image before me now, as in the early days of her light-heartedness and joy! Oh! gorgeous yet fantastic beauty! Oh! Sylph amid the shrubberies of Arnheim! --Oh! Naiad among its fountains! --and then --then all is mystery and terror, and a tale which should not be told. Disease --a fatal disease --fell like the simoon upon her frame, and, even while I gazed upon her, the spirit of change swept, over her, pervading her mind, her habits, and her character, and, in a manner the most subtle and terrible, disturbing even the identity of her person! Alas! the destroyer came and went, and the victim --where was she, I knew her not --or knew her no longer as Berenice.Among the numerous train of maladies superinduced by that fatal and primary one which effected a revolution of so horrible a kind in the moral and physical being of my cousin, may be mentioned as the most distressing and obstinate in its nature, a species of epilepsy not unfrequently terminating in trance itself --trance very nearly resembling positive dissolution, and from which her manner of recovery was in most instances, startlingly abrupt. In the mean time my own disease --for I have been told that I should call it by no other appelation --my own disease, then, grew rapidly upon me, and assumed finally a monomaniac character of a novel and extraordinary form --hourly and momently gaining vigor --and at length obtaining over me the most incomprehensible ascendancy. This monomania, if I must so term it, consisted in a morbid irritability of those properties of the mind in metaphysical science termed the attentive. It is more than probable that I am not understood; but I fear, indeed, that it is in no manner possible to convey to the mind of the merely general reader, an adequate idea of that nervous intensity of interest with which, in my case, the powers of meditation (not to speak technically) busied and buried themselves, in the contemplation of even the most ordinary objects of the universe.To muse for long unwearied hours with my attention riveted to some frivolous device on the margin, or in the topography of a book; to become absorbed for the better part of a summer's day, in a quaint shadow falling aslant upon the tapestry, or upon the door; to lose myself for an entire night in watching the steady flame of a lamp, or the embers of a fire; to dream away whole days over the perfume of a flower; to repeat monotonously some common word, until the sound, by dint of frequent repetition, ceased to convey any idea whatever to the mind; to lose all sense of motion or physical existence, by means of absolute bodily quiescencelong and obstinately persevered in; --such were a few of the most common and least perniciousvagaries induced by a condition of the mental faculties, not, indeed, altogether unparalleled, but certainly bidding defiance to anything like analysis or explanation.Yet let me not be misapprehended. --The undue, earnest, and morbid attention thus excited by objects in their own nature frivolous, must not be confounded in character with that ruminating propensity common to all mankind, and more especially indulged in by persons of ardent imagination. It was not even, as might be at first supposed, an extreme condition or exaggeration of such propensity, but primarily and essentially distinct and different. In the one instance, the dreamer, or enthusiast, being interested by an object usually not frivolous, imperceptibly loses sight of this object in a wilderness of deductions and suggestions issuing therefrom, until, at the conclusion of a day dream often replete with luxury, he finds the incitamentum or first cause of his musings entirely vanished and forgotten. In my case the primary object was invariably frivolous, although assuming, through the medium of my distempered vision, a refracted and unreal importance. Few deductions, if any, were made; and those few pertinaciously returning in upon the original object as a centre. The meditations were never pleasurable; and, at the termination of the reverie, the first cause, so far from being out of sight, had attained that supernaturally exaggerated interest which was the prevailing feature of the disease. In a word, the powers of mind more particularly exercised were, with me, as I have said before, the attentive, and are, with the day-dreamer, the speculative.My books, at this epoch, if they did not actually serve to irritate the disorder, partook, it will be perceived, largely, in their imaginative and inconsequential nature, of the characteristic qualities of the disorder itself. I well remember, among others, the treatise of the noble Italian Coelius Secundus Curio "de Amplitudine Beati Regni dei"; St. Austin's great work, the "City of God"; and Tertullian"de Carne Christi," in which the paradoxical sentence "Mortuus est Dei filius; credible est quia ineptum est: et sepultus resurrexit; certum est quia impossibile est" occupied my undivided time, for many weeks of laborious and fruitless investigation.Thus it will appear that, shaken from its balance only by trivial things, my reason bore resemblance to that ocean-crag spoken of by Ptolemy Hephestion, which steadily resisting the attacks of human violence, and the fiercer fury of the waters and the winds, trembled only to the touch of the flower called Asphodel. And although, to a careless thinker, it might appear a matter beyond doubt, that the alteration produced by her unhappy malady, in the moral condition of Berenice, would afford me many objects for the exercise of that intense and abnormal meditation whose nature I have been at some trouble in explaining, yet such was not in any degree the case. In the lucid intervals of my infirmity, her calamity, indeed, gave me pain, and, taking deeply to heart that total wreck of her fair and gentle life, I did not fall to ponder frequently and bitterly upon the wonder-working means by which so strange a revolution had been so suddenly brought to pass. But these reflections partook not of the idiosyncrasy of my disease, and were such as would have occurred, under similar circumstances, to the ordinary mass of mankind. True to its own character, my disorder revelled in the less important but more startling changes wrought in the physical frame of Berenice --in the singular and most appalling distortion of her personal identity.During the brightest days of her unparalleled beauty, most surely I had never loved her. In the strange anomaly of my existence, feelings with me, had never been of the heart, and my passions always were of the mind. Through the gray of the early morning --among the trellised shadows of the forest at noonday --and in the silence of my library at night, she had flitted by my eyes, and I had seen her --not as the living and breathing Berenice, but as the Berenice of a dream --not as a being of the earth, earthy, but as the abstraction of such a being-not as a thing to admire, but to analyze --not as an object of love, but as the theme of the most abstruse although desultory speculation. And now --now I shuddered in her presence, and grew pale at her approach; yet bitterly lamenting her fallen and desolate condition, I called to mind that she had loved me long, and, in an evil moment, I spoke to her of marriage.And at length the period of our nuptials was approaching, when, upon an afternoon in the winter of the year, --one of those unseasonably warm, calm, and misty days which are the nurse of the beautiful Halcyon, --I sat, (and sat, as I thought, alone,) in the inner apartment of the library. But uplifting my eyes I saw that Berenice stood before me.Was it my own excited imagination --or the misty influence of the atmosphere --or the uncertain twilight of the chamber --or the gray draperies which fell around her figure --that caused in it so vaccilading and indistinct an outline? I could not tell. She spoke no word, I --not for worlds could I have uttered a syllable. An icy chill ran through my frame; a sense of insufferable anxiety oppressed me; a consuming curiosity pervaded my soul; and sinking back upon the chair, I remained for some time breathless and motionless, with my eyes riveted upon her person. Alas! its emaciation was excessive, and not one vestige of the former being, lurked in any single line of the contour. My burning glances at length fell upon the face.The forehead was high, and very pale, and singularly placid; and the once jetty hair fell partially over it, and overshadowed the hollow temples with innumerable ringlets now of a vivid yellow, and Jarring discordantly, in their fantastic character, with the reigning melancholy of the countenance. The eyes were lifeless, and lustreless, and seemingly pupil-less, and I shrank involuntarily from their glassy stare to the contemplation of the thin and shrunken lips. They parted; and in a smile of peculiar meaning, the teeth of the changed Berenice disclosed themselves slowly to my view. Would to God that I had never beheld them, or that, having done so, I had died!The shutting of a door disturbed me, and, looking up, I found that my cousin had departed from the chamber. But from the disordered chamber of my brain, had not, alas! departed, and would not be driven away, the white and ghastly spectrum of the teeth. Not a speck on their surface --not a shade on their enamel --not an indenture in their edges --but what that period of her smile had sufficed to brand in upon my memory. I saw them now even more unequivocally than I beheld them then. The teeth! --the teeth! --they were here, and there, and everywhere, and visibly and palpably before me; long, narrow, and excessively white, with the pale lips writhing about them, as in the very moment of their first terrible development. Then came the full fury of my monomania , and I struggled in vain against its strange and irresistible influence. In the multiplied objects of the external world I had no thoughts but for the teeth. For these I longed with a phrenzied desire. All other matters and all different interests became absorbed in their single contemplation. They --they alone were present to the mental eye, and they, in their sole individuality, became the essence of my mental life. I held them in every light. I turned them in every attitude. I surveyed their characteristics. I dwelt upon their peculiarities. I pondered upon their conformation. I mused upon the alteration in their nature. I shuddered as I assigned to them in imagination a sensitive and sentient power, and even when unassisted by the lips, a capability of moral expression. Of Mad'selle Salle it has been well said, "que tous ses pas etaient des sentiments," and of Berenice I more seriously believed que toutes ses dents etaient des idees. Des idees! --ah here was the idiotic thought that destroyed me! Des idees! --ah therefore it was that I coveted them so madly! I felt that their possession could alone ever restore me to peace, in giving me back to reason.And the evening closed in upon me thus-and then the darkness came, and tarried, and went --and the day again dawned --and the mists of a second night were now gathering around --and still I sat motionless in that solitary room; and still I sat buried in meditation, and still the phantasma of the teeth maintained its terrible ascendancy as, with the most vivid hideous distinctness, it floated about amid the changing lights and shadows of the chamber. At length there broke in upon my dreams a cry as of horror and dismay; and thereunto, after a pause, succeeded the sound of troubled voices, intermingled with many low moanings of sorrow, or of pain. I arose from my seat and, throwing open one of the doors of the library, saw standing out in the antechamber a servant maiden, all in tears, who told me that Berenice was --no more. She had been seized with epilepsy in the early morning, and now, at the closing in of the night, the grave was ready for its tenant, and all the preparations for the burial were completed.I found myself sitting in the library, and again sitting there alone. It seemed that I had newly awakened from a confused and exciting dream. I knew that it was now midnight, and I was well aware that since the setting of the sun Berenice had been interred. But of that dreary period which intervened I had no positive --at least no definite comprehension. Yet its memory was replete with horror --horror more horrible from being vague, and terror more terrible from ambiguity. It was a fearful page in the record my existence, written all over with dim, and hideous, and unintelligible recollections. I strived to decypher them, but in vain; while ever and anon, like the spirit of a departed sound, the shrill and piercing shriek of a female voice seemed to be ringing in my ears. I had done a deed --what was it? I asked myself the question aloud, and the whispering echoes of the chamber answered me, "what was it?"On the table beside me burned a lamp, and near it lay a little box. It was of no remarkable character, and I had seen it frequently before, for it was the property of the family physician; but how came it there, upon my table, and why did I shudder in regarding it? These things were in no manner to be accounted for, and my eyes at length dropped to the open pages of a book, and to a sentence underscored therein. The words were the singular but simple ones of the poet Ebn Zaiat, "Dicebant mihi sodales si sepulchrum amicae visitarem, curas meas aliquantulum fore levatas." Why then, as I perused them, did the hairs of my head erect themselves on end, and the blood of my body become congealed within my veins?There came a light tap at the library door, and pale as the tenant of a tomb, a menial entered upon tiptoe. His looks were wild with terror, and he spoke to me in a voice tremulous, husky, and very low. What said he? --some broken sentences I heard. He told of a wild cry disturbing the silence of the night --of the gathering together of the household-of a search in the direction of the sound; --and then his tones grew thrillingly distinct as he whispered me of a violated grave --of a disfigured body enshrouded, yet still breathing, still palpitating, still alive!He pointed to garments;-they were muddy and clotted with gore. I spoke not, and he took me gently by the hand; --it was indented with the impress of human nails. He directed my attention to some object against the wall; --I looked at it for some minutes; --it was a spade. With a shriek I bounded to the table, and grasped the box that lay upon it. But I could not force it open; and in my tremor it slipped from my hands, and fell heavily, and burst into pieces; and from it, with a rattling sound, there rolled out some instruments of dental surgery, intermingled with thirty-two small, white and ivory-looking substances that were scattered to and fro about the floor.

Source: Poe Stories

Book Choice: The Works of Edgar Allan Poe - Volume 1

Zong Dingbo Catches a Ghost

Here's another myth that comes to us from the far away land of China:

Zong Dingbo, a young man in Nanyang, met a ghost one night while walking along the road. "Who is it?" he asked. "A ghost," answered the ghost. "Who are you?" "I am a ghost, too," Zong lied. "Where are you going?" the ghost asked. "I am going to Wanshi," Zong answered. "I am also going there," the ghost said. So they went a few li together. "It is very tiresome to walk like this," said the ghost. "Why do we not carry each other on our backs by turns?" "That is an excellent idea," Zong agreed. First the ghost carried Zong for & few li. "You are so heavy!" it said. "Are you really a ghost?" Zong said, "I died quite recently, so I am heavy." Then it was his turn to carry the ghost, which was almost weightless. They went on like this, each carrying the other several times. Zong said, "Since I have just died, I do not know what a ghost fears." "A ghost fears nothing but to be spat at," the ghost told him.
They came to a river. Zong asked the ghost to cross it first. He listened and found that the ghost made no noise at all. When he waded the river, he splashed and made a lot of noise. "Why did you make so much noise?" the ghost asked. "I have not yet learned to cross a river quietly, since I am a new ghost," Zong answered, adding, "Please bear with me about that."
They were approaching Wanshi when Zong put the ghost on his shoulder and held it fast with his hands. The ghost demanded in a loud voice to be let off, but Zong turned a deaf ear to it. He walked straight to the centre of the town. When he put the ghost down on the ground, it had turned itself into a goat. He sold it and spat at it for fear that it might change. People said at the time, "Zong Dingbo earned fifteen hundred coins by selling a ghost."

Source: China Vista