The Interlopers by Saki

In a forest of mixed growth somewhere on the eastern spurs of the Karpathians, a man stood one winter night watching and listening, as though he waited for some beast of the woods to come within the range of his vision, and, later, of his rifle. But the game for whose presence he kept so keen an outlook was none that figured in the sportsman's calendar as lawful and proper for the chase; Ulrich von Gradwitz patrolled the dark forest in quest of a human enemy.
     The forest lands of Gradwitz were of wide extent and well stocked with game; the narrow strip of precipitous woodland that lay on its outskirt was not remarkable for the game it harboured or the shooting it afforded, but it was the most jealously guarded of all its owner's territorial possessions. A famous law suit, in the days of his grandfather, had wrested it from the illegal possession of a neighbouring family of petty landowners; the dispossessed party had never acquiesced in the judgment of the Courts, and a long series of poaching affrays and similar scandals had embittered the relationships between the families for three generations. The neighbour feud had grown into a personal one since Ulrich had come to be head of his family; if there was a man in the world whom he detested and wished ill to it was Georg Znaeym, the inheritor of the quarrel and the tireless game-snatcher and raider of the disputed border-forest. The feud might, perhaps, have died down or been compromised if the personal ill-will of the two men had not stood in the way; as boys they had thirsted for one another's blood, as men each prayed that misfortune might fall on the other, and this wind-scourged winter night Ulrich had banded together his foresters to watch the dark forest, not in quest of four-footed quarry, but to keep a look-out for the prowling thieves whom he suspected of being afoot from across the land boundary. The roebuck, which usually kept in the sheltered hollows during a storm-wind, were running like driven things to-night, and there was movement and unrest among the creatures that were wont to sleep through the dark hours. Assuredly there was a disturbing element in the forest, and Ulrich could guess the quarter from whence it came.
     He strayed away by himself from the watchers whom he had placed in ambush on the crest of the hill, and wandered far down the steep slopes amid the wild tangle of undergrowth, peering through the tree trunks and listening through the whistling and skirling of the wind and the restless beating of the branches for sight and sound of the marauders. If only on this wild night, in this dark, lone spot, he might come across Georg Znaeym, man to man, with none to witness - that was the wish that was uppermost in his thoughts. And as he stepped round the trunk of a huge beech he came face to face with the man he sought.
     The two enemies stood glaring at one another for a long silent moment. Each had a rifle in his hand, each had hate in his heart and murder uppermost in his mind. The chance had come to give full play to the passions of a lifetime. But a man who has been brought up under the code of a restraining civilisation cannot easily nerve himself to shoot down his neighbour in cold blood and without word spoken, except for an offence against his hearth and honour. And before the moment of hesitation had given way to action a deed of Nature's own violence overwhelmed them both. A fierce shriek of the storm had been answered by a splitting crash over their heads, and ere they could leap aside a mass of falling beech tree had thundered down on them. Ulrich von Gradwitz found himself stretched on the ground, one arm numb beneath him and the other held almost as helplessly in a tight tangle of forked branches, while both legs were pinned beneath the fallen mass. His heavy shooting-boots had saved his feet from being crushed to pieces, but if his fractures were not as serious as they might have been, at least it was evident that he could not move from his present position till some one came to release him. The descending twig had slashed the skin of his face, and he had to wink away some drops of blood from his eyelashes before he could take in a general view of the disaster. At his side, so near that under ordinary circumstances he could almost have touched him, lay Georg Znaeym, alive and struggling, but obviously as helplessly pinioned down as himself. All round them lay a thick- strewn wreckage of splintered branches and broken twigs.
     Relief at being alive and exasperation at his captive plight brought a strange medley of pious thank-offerings and sharp curses to Ulrich's lips. Georg, who was early blinded with the blood which trickled across his eyes, stopped his struggling for a moment to listen, and then gave a short, snarling laugh.
     "So you're not killed, as you ought to be, but you're caught, anyway," he cried; "caught fast. Ho, what a jest, Ulrich von Gradwitz snared in his stolen forest. There's real justice for you!"
     And he laughed again, mockingly and savagely.
     "I'm caught in my own forest-land," retorted Ulrich. "When my men come to release us you will wish, perhaps, that you were in a better plight than caught poaching on a neighbour's land, shame on you."
     Georg was silent for a moment; then he answered quietly:
     "Are you sure that your men will find much to release? I have men, too, in the forest to-night, close behind me, and THEY will be here first and do the releasing. When they drag me out from under these damned branches it won't need much clumsiness on their part to roll this mass of trunk right over on the top of you. Your men will find you dead under a fallen beech tree. For form's sake I shall send my condolences to your family."
     "It is a useful hint," said Ulrich fiercely. "My men had orders to follow in ten minutes time, seven of which must have gone by already, and when they get me out - I will remember the hint. Only as you will have met your death poaching on my lands I don't think I can decently send any message of condolence to your family."
     "Good," snarled Georg, "good. We fight this quarrel out to the death, you and I and our foresters, with no cursed interlopers to come between us. Death and damnation to you, Ulrich von Gradwitz."
     "The same to you, Georg Znaeym, forest-thief, game-snatcher."
     Both men spoke with the bitterness of possible defeat before them, for each knew that it might be long before his men would seek him out or find him; it was a bare matter of chance which party would arrive first on the scene.
     Both had now given up the useless struggle to free themselves from the mass of wood that held them down; Ulrich limited his endeavours to an effort to bring his one partially free arm near enough to his outer coat-pocket to draw out his wine-flask. Even when he had accomplished that operation it was long before he could manage the unscrewing of the stopper or get any of the liquid down his throat. But what a Heaven-sent draught it seemed! It was an open winter, and little snow had fallen as yet, hence the captives suffered less from the cold than might have been the case at that season of the year; nevertheless, the wine was warming and reviving to the wounded man, and he looked across with something like a throb of pity to where his enemy lay, just keeping the groans of pain and weariness from crossing his lips.
     "Could you reach this flask if I threw it over to you?" asked Ulrich suddenly; "there is good wine in it, and one may as well be as comfortable as one can. Let us drink, even if to-night one of us dies."
     "No, I can scarcely see anything; there is so much blood caked round my eyes," said Georg, "and in any case I don't drink wine with an enemy."
     Ulrich was silent for a few minutes, and lay listening to the weary screeching of the wind. An idea was slowly forming and growing in his brain, an idea that gained strength every time that he looked across at the man who was fighting so grimly against pain and exhaustion. In the pain and languor that Ulrich himself was feeling the old fierce hatred seemed to be dying down.
     "Neighbour," he said presently, "do as you please if your men come first. It was a fair compact. But as for me, I've changed my mind. If my men are the first to come you shall be the first to be helped, as though you were my guest. We have quarrelled like devils all our lives over this stupid strip of forest, where the trees can't even stand upright in a breath of wind. Lying here to-night thinking I've come to think we've been rather fools; there are better things in life than getting the better of a boundary dispute. Neighbour, if you will help me to bury the old quarrel I - I will ask you to be my friend."
     Georg Znaeym was silent for so long that Ulrich thought, perhaps, he had fainted with the pain of his injuries. Then he spoke slowly and in jerks.
     "How the whole region would stare and gabble if we rode into the market-square together. No one living can remember seeing a Znaeym and a von Gradwitz talking to one another in friendship. And what peace there would be among the forester folk if we ended our feud to-night. And if we choose to make peace among our people there is none other to interfere, no interlopers from outside ... You would come and keep the Sylvester night beneath my roof, and I would come and feast on some high day at your castle ... I would never fire a shot on your land, save when you invited me as a guest; and you should come and shoot with me down in the marshes where the wildfowl are. In all the countryside there are none that could hinder if we willed to make peace. I never thought to have wanted to do other than hate you all my life, but I think I have changed my mind about things too, this last half-hour. And you offered me your wineflask ... Ulrich von Gradwitz, I will be your friend."
     For a space both men were silent, turning over in their minds the wonderful changes that this dramatic reconciliation would bring about. In the cold, gloomy forest, with the wind tearing in fitful gusts through the naked branches and whistling round the tree-trunks, they lay and waited for the help that would now bring release and succour to both parties. And each prayed a private prayer that his men might be the first to arrive, so that he might be the first to show honourable attention to the enemy that had become a friend.
     Presently, as the wind dropped for a moment, Ulrich broke silence.
     "Let's shout for help," he said; he said; "in this lull our voices may carry a little way."
     "They won't carry far through the trees and undergrowth," said Georg, "but we can try. Together, then."
     The two raised their voices in a prolonged hunting call.
     "Together again," said Ulrich a few minutes later, after listening in vain for an answering halloo.
     "I heard nothing but the pestilential wind," said Georg hoarsely.
     There was silence again for some minutes, and then Ulrich gave a joyful cry.
     "I can see figures coming through the wood. They are following in the way I came down the hillside."
     Both men raised their voices in as loud a shout as they could muster.
     "They hear us! They've stopped. Now they see us. They're running down the hill towards us," cried Ulrich.
     "How many of them are there?" asked Georg.
     "I can't see distinctly," said Ulrich; "nine or ten,"
     "Then they are yours," said Georg; "I had only seven out with me."
     "They are making all the speed they can, brave lads," said Ulrich gladly.
     "Are they your men?" asked Georg. "Are they your men?" he repeated impatiently as Ulrich did not answer.
     "No," said Ulrich with a laugh, the idiotic chattering laugh of a man unstrung with hideous fear.
     "Who are they?" asked Georg quickly, straining his eyes to see what the other would gladly not have seen.
     "Wolves."

Image taken from here


Book Choice: The Complete Saki (Classic, 20th-Century, Penguin)

Edgar Allan Poe - The Oval Portrait

The chateau into which my valet had ventured to make forcible entrance, rather than permit me, in my desperately wounded condition, to pass a night in the open air, was one of those piles of commingled gloom and grandeur which have so long frowned among the Appennines, not less in fact than in the fancy of Mrs. Radcliffe. To all appearance it had been temporarily and very lately abandoned. We established ourselves in one of the smallest and least sumptuously furnished apartments. It lay in a remote turret of the building. Its decorations were rich, yet tattered and antique. Its walls were hung with tapestry and bedecked with manifold and multiform armorial trophies, together with an unusually great number of very spirited modern paintings in frames of rich golden arabesque. In these paintings, which depended from the walls not only in their main surfaces, but in very many nooks which the bizarre architecture of the chateau rendered necessary- in these paintings my incipient delirium, perhaps, had caused me to take deep interest; so that I bade Pedro to close the heavy shutters of the room- since it was already night- to light the tongues of a tall candelabrum which stood by the head of my bed- and to throw open far and wide the fringed curtains of black velvet which enveloped the bed itself. I wished all this done that I might resign myself, if not to sleep, at least alternately to the contemplation of these pictures, and the perusal of a small volume which had been found upon the pillow, and which purported to criticise and describe them.
     Long - long I read - and devoutly, devotedly I gazed. Rapidly and gloriously the hours flew by and the deep midnight came. The position of the candelabrum displeased me, and outreaching my hand with difficulty, rather than disturb my slumbering valet, I placed it so as to throw its rays more fully upon the book.
     But the action produced an effect altogether unanticipated. The rays of the numerous candles (for there were many) now fell within a niche of the room which had hitherto been thrown into deep shade by one of the bed-posts. I thus saw in vivid light a picture all unnoticed before. It was the portrait of a young girl just ripening into womanhood. I glanced at the painting hurriedly, and then closed my eyes. Why I did this was not at first apparent even to my own perception. But while my lids remained thus shut, I ran over in my mind my reason for so shutting them. It was an impulsive movement to gain time for thought- to make sure that my vision had not deceived me- to calm and subdue my fancy for a more sober and more certain gaze. In a very few moments I again looked fixedly at the painting.
     That I now saw aright I could not and would not doubt; for the first flashing of the candles upon that canvas had seemed to dissipate the dreamy stupor which was stealing over my senses, and to startle me at once into waking life.
     The portrait, I have already said, was that of a young girl. It was a mere head and shoulders, done in what is technically termed a vignette manner; much in the style of the favorite heads of Sully. The arms, the bosom, and even the ends of the radiant hair melted imperceptibly into the vague yet deep shadow which formed the back-ground of the whole. The frame was oval, richly gilded and filigreed in Moresque. As a thing of art nothing could be more admirable than the painting itself. But it could have been neither the execution of the work, nor the immortal beauty of the countenance, which had so suddenly and so vehemently moved me. Least of all, could it have been that my fancy, shaken from its half slumber, had mistaken the head for that of a living person. I saw at once that the peculiarities of the design, of the vignetting, and of the frame, must have instantly dispelled such idea- must have prevented even its momentary entertainment. Thinking earnestly upon these points, I remained, for an hour perhaps, half sitting, half reclining, with my vision riveted upon the portrait. At length, satisfied with the true secret of its effect, I fell back within the bed. I had found the spell of the picture in an absolute life-likeliness of expression, which, at first startling, finally confounded, subdued, and appalled me. With deep and reverent awe I replaced the candelabrum in its former position. The cause of my deep agitation being thus shut from view, I sought eagerly the volume which discussed the paintings and their histories. Turning to the number which designated the oval portrait, I there read the vague and quaint words which follow:
     "She was a maiden of rarest beauty, and not more lovely than full of glee. And evil was the hour when she saw, and loved, and wedded the painter. He, passionate, studious, austere, and having already a bride in his Art; she a maiden of rarest beauty, and not more lovely than full of glee; all light and smiles, and frolicsome as the young fawn; loving and cherishing all things; hating only the Art which was her rival; dreading only the pallet and brushes and other untoward instruments which deprived her of the countenance of her lover. It was thus a terrible thing for this lady to hear the painter speak of his desire to pourtray even his young bride. But she was humble and obedient, and sat meekly for many weeks in the dark, high turret-chamber where the light dripped upon the pale canvas only from overhead. But he, the painter, took glory in his work, which went on from hour to hour, and from day to day. And be was a passionate, and wild, and moody man, who became lost in reveries; so that he would not see that the light which fell so ghastly in that lone turret withered the health and the spirits of his bride, who pined visibly to all but him. Yet she smiled on and still on, uncomplainingly, because she saw that the painter (who had high renown) took a fervid and burning pleasure in his task, and wrought day and night to depict her who so loved him, yet who grew daily more dispirited and weak. And in sooth some who beheld the portrait spoke of its resemblance in low words, as of a mighty marvel, and a proof not less of the power of the painter than of his deep love for her whom he depicted so surpassingly well. But at length, as the labor drew nearer to its conclusion, there were admitted none into the turret; for the painter had grown wild with the ardor of his work, and turned his eyes from canvas merely, even to regard the countenance of his wife. And he would not see that the tints which he spread upon the canvas were drawn from the cheeks of her who sate beside him. And when many weeks bad passed, and but little remained to do, save one brush upon the mouth and one tint upon the eye, the spirit of the lady again flickered up as the flame within the socket of the lamp. And then the brush was given, and then the tint was placed; and, for one moment, the painter stood entranced before the work which he had wrought; but in the next, while he yet gazed, he grew tremulous and very pallid, and aghast, and crying with a loud voice, 'This is indeed Life itself!' turned suddenly to regard his beloved:- She was dead!

Image taken from here

Book Choice: The Works of Edgar Allan Poe - Volume 1

F Scott Fitzgerald - May Day

There had been a war fought and won and the great city of the
conquering people was crossed with triumphal arches and vivid with
thrown flowers of white, red, and rose. All through the long spring
days the returning soldiers marched up the chief highway behind the
strump of drums and the joyous, resonant wind of the brasses, while
merchants and clerks left their bickerings and figurings and, crowding
to the windows, turned their white-bunched faces gravely upon the
passing battalions.
Never had there been such splendor in the great city, for the
victorious war had brought plenty in its train, and the merchants had
flocked thither from the South and West with their households to taste
of all the luscious feasts and witness the lavish entertainments
prepared--and to buy for their women furs against the next winter and
bags of golden mesh and varicolored slippers of silk and silver and
rose satin and cloth of gold.
So gaily and noisily were the peace and prosperity impending hymned by
the scribes and poets of the conquering people that more and more
spenders had gathered from the provinces to drink the wine of
excitement, and faster and faster did the merchants dispose of their
trinkets and slippers until they sent up a mighty cry for more
trinkets and more slippers in order that they might give in barter
what was demanded of them. Some even of them flung up their hands
helplessly, shouting:
"Alas! I have no more slippers! and alas! I have no more trinkets! May
heaven help me for I know not what I shall do!"
But no one listened to their great outcry, for the throngs were far
too busy--day by day, the foot-soldiers trod jauntily the highway and
all exulted because the young men returning were pure and brave, sound
of tooth and pink of cheek, and the young women of the land were
virgins and comely both of face and of figure.
So during all this time there were many adventures that happened in
the great city, and, of these, several--or perhaps one--are here set
down.

Continue at the source


Book Choice: The Beautiful and Damned

Jack London - The Apostate

"If you don't git up, Johnny, I won't give you a bite to eat!"
The threat had no effect on the boy. He clung stubbornly to sleep, fighting for its oblivion as the dreamer fights for his dream. The boy's hands loosely clenched themselves, and he made feeble, spasmodic blows at the air. These blows were intended for his mother, but she betrayed practised familiarity in avoiding them as she shook him roughly by the shoulder.
"Lemme 'lone!"
It was a cry that began, muffled, in the deeps of sleep, that swiftly rushed upward, like a wail, into passionate belligerence, and that died away and sank down into an inarticulate whine. It was a bestial cry, as of a soul in torment, filled with infinite protest and pain.
But she did not mind. She was a sad-eyed, tired-faced woman, and she had grown used to this task, which she repeated every day of her life. She got a grip on the bedclothes and tried to strip them down; but the boy, ceasing his punching, clung to them desperately. In a huddle, at the foot of the bed, he still remained covered. Then she tried dragging the bedding to the floor. The boy opposed her. She braced herself. Hers was the superior weight, and the boy and bedding gave, the former instinctively following the latter in order to shelter against the chill of the room that bit into his body.
As he toppled on the edge of the bed it seemed that he must fall head-first to the floor. But consciousness fluttered up in him. He righted himself and for a moment perilously balanced. Then he struck the floor on his feet. On the instant his mother seized him by the shoulders and shook him. Again his fists struck out, this time with more force and directness. At the same time his eyes opened. She released him. He was awake.

Continue at the source

Image taken from here
Buy Jack London books at Amazon The Call of the Wild, White Fang & To Build a Fire (Modern Library Classics)

Ambrose Bierce - The Moonlit Road

I AM the most unfortunate of men. Rich, respected, fairly well educated
and of sound health-with many other advantages usually valued by those
having them and coveted by those who have them not-I sometimes think
that I should be less unhappy if they had been denied me, for then the
contrast between my outer and my inner life would not be continually
demanding a painful attention. In the stress of privation and the need
of effort I might sometimes forget the sombre secret ever baffling the
conjecture that it compels.
I am the only child of Joel and Julia Hetman. The one was a
well-to-do country gentleman, the other a beautiful and accomplished
woman to whom he was passionately attached with what I now know to have
been a jealous and exacting devotion. The family home was a few miles
from Nash- ville, Tennessee, a large, irregularly built dwelling of no
particular order of architecture, a little way off the road, in a park
of trees and shrubbery.
At the time of which I write I was nineteen years old, a student at
Yale. One day I received a telegram from my father of such urgency
that in compliance with its unexplained demand I left at once for
home. At the railway station in Nashville a distant relative awaited
me to apprise me of the reason for my recall: my mother had been
barbarously murdered--why and by whom none could conjecture, but the
circumstances were these.

Continue at the source
Image taken from here 

Go to Amazon to buy The Complete Short Stories of Ambrose Bierce 

P.G. Wodehouse - The White Feather

"With apologies to gent opposite," said Clowes, "I must say I don't think much of the team."
"Don't apologise to me," said Allardyce disgustedly, as he filled the teapot, "I think they're rotten."
"They ought to have got into form by now, too," said Trevor. "It's not as if this was the first game of the term."
"First game!" Allardyce laughed shortly. "Why, we've only got a couple of club matches and the return match with Ripton to end the season. It is about time they got into form, as you say."
Clowes stared pensively into the fire.
"They struck me," he said, "as the sort of team who'd get into form somewhere in the middle of the cricket season."
"That's about it," said Allardyce. "Try those biscuits, Trevor. They're about the only good thing left in the place."
"School isn't what it was?" inquired Trevor, plunging a hand into the tin that stood on the floor beside him.
"No," said Allardyce, "not only in footer but in everything. The place seems absolutely rotten. It's bad enough losing all our matches, or nearly all. Did you hear that Ripton took thirty-seven points off us last term? And we only just managed to beat Greenburgh by a try to nil."
"We got thirty points last year," he went on. "Thirty-three, and forty-two the year before. Why, we've always simply walked them. It's an understood thing that we smash them. And this year they held us all the time, and it was only a fluke that we scored at all. Their back miskicked, and let Barry in."

Continue at the source

Image taken from here
The Essential P. G. Wodehouse Collection (96 works) [Illustrated] at Amazon

Carl Stephenson - Leiningen versus the Ants

UNLESS they alter their course and there's no reason why they should, they'll reach your plantation in two days at the latest."

Leiningen sucked placidly at a cigar about the size of a corncob and for a few seconds gazed without answering at the agitated District Commissioner. Then he took the cigar from his lips, and leaned slightly forward. With his bristling grey hair, bulky nose, and lucid eyes, he had the look of an aging and shabby eagle.

"Decent of you," he murmured, "paddling all this way just to give me the tip. But you're pulling my leg of course when you say I must do a bunk. Why, even a herd of saurians couldn't drive rne from this plantation of mine."

The Brazilian official threw up lean and lanky arms and clawed the air with wildly distended fingers. "Leiningen!" he shouted. "You're insane! They're not creatures you can fight--they're an elemental--an 'act of God!' Ten miles long, two miles wide--ants, nothing but ants! And every single one of them a fiend from hell; before you can spit three times they'll eat a full-grown buffalo to the bones. I tell you if you don't clear out at once there'll he nothing left of you but a skeleton picked as clean as your own plantation."

Leiningen grinned. "Act of God, my eye! Anyway, I'm not an old woman; I'rn not going to run for it just because an elemental's on the way. And don't think I'm the kind of fathead who tries to fend off lightning with his fists either. I use my intelligence, old man. With me, the brain isn't a second blindgut; I know what it's there for. When I began this model farm and plantation three years ago, I took into account all that could conceivably happen to it. And now I'm ready for anything and everything--including your ants."

Continue at the source
Image taken from here

Ambrose Bierce - A Cold Greeting

This is a story told by the late Benson Foley of San Francisco:

"In the summer of 1881 I met a man named James H. Conway, a resident of Franklin, Tennessee. He was visiting San Francisco for his health, deluded man, and brought me a note of introduction from Mr. Lawrence Barting. I had known Barting as a captain in the Federal army during the civil war. At its close he had settled in Franklin, and in time became, I had reason to think, somewhat prominent as a lawyer. Barting had always seemed to me an honorable and truthful man, and the warm friendship which he expressed in his note for Mr. Conway was to me sufficient evidence that the latter was in every way worthy of my confidence and esteem. At dinner one day Conway told me that it had been solemnly agreed between him and Barting that the one who died first should, if possible, communicate with the other from beyond the grave, in some unmistakable way--just how, they had left (wisely, it seemed to me) to be decided by the deceased, according to the opportunities that his altered circumstances might present.

Continue at the the source

Image taken from here

O. Henry - The Princess and the Puma

There had to be a king and queen, of course. The king was a terrible old man who wore six-shooters and spurs, and shouted in such a tremendous voice that the rattlers on the prairie would run into their holes under the prickly pear. Before there was a royal family they called the man "Whispering Ben." When he came to own 50,000 acres of land and more cattle than he could count, they called him O'Donnell "the Cattle King."

The queen had been a Mexican girl from Laredo. She made a good, mild, Coloradoclaro wife, and even succeeded in teaching Ben to modify his voice sufficiently while in the house to keep the dishes from being broken. When Ben got to be king she would sit on the gallery of Espinosa Ranch and weave rush mats. When wealth became so irresistible and oppressive that upholstered chairs and a centre table were brought down from San Antone in the wagons, she bowed her smooth, dark head, and shared the fate of the Danaë.

To avoid lèse-majesté you have been presented first to the king and queen. They do not enter the story, which might be called "The Chronicle of the Princess, the Happy Thought, and the Lion that Bungled his Job."

Josefa O'Donnell was the surviving daughter, the princess. From her mother she inherited warmth of nature and a dusky, semi-tropic beauty. From Ben O'Donnell the royal she acquired a store in intrepidity, common sense, and the faculty of ruling. The combination was was worth going miles to see. Josefa while riding her pony at a gallop could put five out of six bullets through a tomato-can swinging at the end of a string. She could play for hours with a white kitten she owned, dressing it in all manner of absurd clothes. Scorning a pencil, she could tell you out of her head what 1545 two-year-olds would bring on the hoof, at $8.50 per head. Roughly speaking, the Espinosal Ranch is forty miles long and thirty broad—but mostly leased land. Josefa, on her pony, had prospected over every mile of it. Every cow-puncher on the range knew her by sight and was a loyal vassal. Ripley Givens, foreman of one of the Espinosal outfits, saw her one day, and made up his mind to f! orm a royal matrimonial alliance. Presumptuous? No. In those days in the Nueces country a man was a man. And, after all, the title of cattle king does not presuppose blood royal. Often it only signifies that its owner wears the crown in token of his magnificent qualities in the art of cattle stealing.

Continue at the source

Image taken from here

For The Complete Works of O. Henry go to Amazon

George Orwell - Shooting an Elephant

IN MOULMEIN, IN LOWER BURMA, I was hated by large numbers of people--the only time in my life that I have been important enough for this to happen to me. I was sub-divisional police officer of the town, and in an aimless, petty kind of way anti-European feeling was very bitter. No one had the guts to raise a riot, but if a European woman went through the bazaars alone somebody would probably spit betel juice over her dress. As a police officer I was an obvious target and was baited whenever it seemed safe to do so. When a nimble Burman tripped me up on the football field and the referee (another Burman) looked the other way, the crowd yelled with hideous laughter. This happened more than once. In the end the sneering yellow faces of young men that met me everywhere, the insults hooted after me when I was at a safe distance, got badly on my nerves. The young Buddhist priests were the worst of all. There were several thousands of them in the town and none of them seemed to have anything to do except stand on street corners and jeer at Europeans.

All this was perplexing and upsetting. For at that time I had already made up my mind that imperialism was an evil thing and the sooner I chucked up my job and got out of it the better. Theoretically--and secretly, of course--I was all for the Burmese and all against their oppressors, the British. As for the job I was doing, I hated it more bitterly than I can perhaps make clear. In a job like that you see the dirty work of Empire at close quarters. The wretched prisoners huddling in the stinking cages of the lock-ups, the grey, cowed faces of the long-term convicts, the scarred buttocks of the men who had been Bogged with bamboos--all these oppressed me with an intolerable sense of guilt. But I could get nothing into perspective. I was young and ill-educated and I had had to think out my problems in the utter silence that is imposed on every Englishman in the East. I did not even know that the British Empire is dying, still less did I know that it is a great deal better than the younger empires that are going to supplant it. All I knew was that I was stuck between my hatred of the empire I served and my rage against the evil-spirited little beasts who tried to make my job impossible. With one part of my mind I thought of the British Raj as an unbreakable tyranny, as something clamped down, in saecula saeculorum, upon the will of prostrate peoples; with another part I thought that the greatest joy in the world would be to drive a bayonet into a Buddhist priest's guts. Feelings like these are the normal by-products of imperialism; ask any Anglo-Indian official, if you can catch him off duty.

Continue at the source

Image taken from here

For Nineteen Eighty-Four and other works of George Orwell go to Amazon

Herman Melville - The Piazza

When I removed into the country, it was to occupy an old-fashioned
farm-house, which had no piazza--a deficiency the more regretted,
because not only did I like piazzas, as somehow combining the coziness
of in-doors with the freedom of out-doors, and it is so pleasant to
inspect your thermometer there, but the country round about was such a
picture, that in berry time no boy climbs hill or crosses vale without
coming upon easels planted in every nook, and sun-burnt painters
painting there. A very paradise of painters. The circle of the stars cut
by the circle of the mountains. At least, so looks it from the house;
though, once upon the mountains, no circle of them can you see. Had the
site been chosen five rods off, this charmed ring would not have been.

The house is old. Seventy years since, from the heart of the Hearth
Stone Hills, they quarried the Kaaba, or Holy Stone, to which, each
Thanksgiving, the social pilgrims used to come. So long ago, that, in
digging for the foundation, the workmen used both spade and axe,
fighting the Troglodytes of those subterranean parts--sturdy roots of a
sturdy wood, encamped upon what is now a long land-slide of sleeping
meadow, sloping away off from my poppy-bed. Of that knit wood, but one
survivor stands--an elm, lonely through steadfastness.

Whoever built the house, he builded better than he knew; or else Orion
in the zenith flashed down his Damocles' sword to him some starry night,
and said, "Build there." For how, otherwise, could it have entered the
builder's mind, that, upon the clearing being made, such a purple
prospect would be his?--nothing less than Greylock, with all his hills
about him, like Charlemagne among his peers.

Now, for a house, so situated in such a country, to have no piazza for
the convenience of those who might desire to feast upon the view, and
take their time and ease about it, seemed as much of an omission as if a
picture-gallery should have no bench; for what but picture-galleries are
the marble halls of these same limestone hills?--galleries hung, month
after month anew, with pictures ever fading into pictures ever fresh.
And beauty is like piety--you cannot run and read it; tranquillity and
constancy, with, now-a-days, an easy chair, are needed. For though, of
old, when reverence was in vogue, and indolence was not, the devotees of
Nature, doubtless, used to stand and adore--just as, in the cathedrals
of those ages, the worshipers of a higher Power did--yet, in these times
of failing faith and feeble knees, we have the piazza and the pew.

Continue at the source

Image taken from here

If you are interested a little bit more go and see the Works of Herman Melville. Moby Dick, Omoo, Billy Budd, Sailor, The Piazza Tales & more (Mobi Collected Works)

Willa Cather - On the Gull's Road

IT often happens that one or another of my friends stops before a red chalk drawing in my study and asks me where I ever found so lovely a creature. I have never told the story of that picture to any one, and the beautiful woman on the wall, until yesterday, in all these twenty years has spoken to no one but me. Yesterday a young painter, a countryman of mine, came to consult me on a matter of business, and upon seeing my drawing of Alexandra Ebbling, straightway forgot his errand. He examined the date upon the sketch and asked me, very earnestly, if I could tell him whether the lady were still living. When I answered him, he stepped back from the picture and said slowly:
"So long ago? She must have been very young. She was happy?"
"As to that, who can say -- about any one of us?" I replied. "Out of all that is supposed to make for happiness, she had very little."
We returned to the object of his visit, but when he bade me goodbye at the door his troubled gaze again went back to the drawing, and it was only by turning sharply about that he took his eyes away from her.
I went back to my study fire, and as the rain kept away less impetuous visitors, I had a long time in which to think of Mrs. Ebbling. I even got out the little box she gave me, which I had not opened for years, and when Mrs. Hemway brought my tea I had barely time to close the lid and defeat her disapproving gaze.
My young countryman's perplexity, as he looked at Mrs. Ebbling, had recalled to me the delight and pain she gave me when I was of his years. I sat looking at her face and trying to see it through his eyes -- freshly, as I saw it first upon the deck of the Germania, twenty years ago. Was it her loveliness, I often ask myself, or her loneliness, or her simplicity, or was it merely my own youth? Was her mystery only that of the mysterious North out of which she came? I still feel that she was very different from all the beautiful and brilliant women I have known; as the night is different from the day, or as the sea is different from the land. But this is our story, as it comes back to me.

Continue at the source

Image taken from here


Book choice: My Antonia

Liam O' Flaherty - The Sniper

The long June twilight faded into night. Dublin lay enveloped in darkness but for the dim light of the moon that shone through fleecy clouds, casting a pale light as of approaching dawn over the streets and the dark waters of the Liffey. Around the beleaguered Four Courts the heavy guns roared. Here and there through the city, machine guns and rifles broke the silence of the night, spasmodically, like dogs barking on lone farms. Republicans and Free Staters were waging civil war.

On a rooftop near O'Connell Bridge, a Republican sniper lay watching. Beside him lay his rifle and over his shoulders was slung a pair of field glasses. His face was the face of a student, thin and ascetic, but his eyes had the cold gleam of the fanatic. They were deep and thoughtful, the eyes of a man who is used to looking at death.

He was eating a sandwich hungrily. He had eaten nothing since morning. He had been too excited to eat. He finished the sandwich, and, taking a flask of whiskey from his pocket, he took a short drought. Then he returned the flask to his pocket. He paused for a moment, considering whether he should risk a smoke. It was dangerous. The flash might be seen in the darkness, and there were enemies watching. He decided to take the risk.

Placing a cigarette between his lips, he struck a match, inhaled the smoke hurriedly and put out the light. Almost immediately, a bullet flattened itself against the parapet of the roof. The sniper took another whiff and put out the cigarette. Then he swore softly and crawled away to the left.

Continue at the source

Image taken from here

Book choice: Famine

Edgar Allan Poe - The Assignation

Stay for me there ! I will not fail.
To meet thee in that hollow vale.
[ Exequy on the death of his wife, by Henry King, Bishop of Chichester .]

ILL-FATED and mysterious man ! - bewildered in the brilliancy of thine own imagination, and fallen in the flames of thine own youth ! Again in fancy I behold thee ! Once more thy form hath risen before me ! - not - oh not as thou art - in the cold valley and shadow but as thou shouldst be - squandering away a life of magnificent meditation in that city of dim visions, thine own Venice - which is a star-beloved Elysium of the sea, and the wide windows of whose Palladian palaces look down with a deep and bitter meaning upon the secrets of her silent waters. Yes ! I repeat it - as thou shouldst be . There are surely other worlds than this - other thoughts than the thoughts of the multitude - other speculations than the speculations of the sophist. Who then shall call thy conduct into question ? who blame thee for thy visionary hours, or denounce those occupations as a wasting away of life, which were but the overflowings of thine everlasting energies ?
It was at Venice, beneath the covered archway there called the Ponte di Sospiri , that I met for the third or fourth time the person of whom I speak. It is with a confused recollection that I bring to mind the circumstances of that meeting. Yet I remember - ah ! how should I forget ? - the deep midnight, the Bridge of Sighs, the beauty of woman, and the Genius of Romance that stalked up and down the narrow canal.
It was a night of unusual gloom. The great clock of the Piazza had sounded the fifth hour of the Italian evening. The square of the Campanile lay silent and deserted, and the lights in the old Ducal Palace were dying fast away. I was returning home from the Piazetta, by way of the Grand Canal. But as my gondola arrived opposite the mouth of the canal San Marco, a female voice from its recesses broke suddenly upon the night, in one wild, hysterical, and long continued shriek. Startled at the sound, I sprang upon my feet : while the gondolier, letting slip his single oar, lost it in the pitchy darkness beyond a chance of recovery, and we were consequently left to the guidance of the current which here sets from the greater into the smaller channel. Like some huge and sable-feathered condor, we were slowly drifting down towards the Bridge of Sighs, when a thousand flambeaux flashing from the windows, and down the staircases of the Ducal Palace, turned all at once that deep gloom into a livid and preternatural day.

Continue at the source

Image taken from here


Book choice: The Works of Edgar Allan Poe - Volume 1

James Joyce - Araby

North Richmond Street, being blind, was a quiet street except at the hour when the Christian Brothers' School set the boys free. An uninhabited house of two storeys stood at the blind end, detached from its neighbours in a square ground. The other houses of the street, conscious of decent lives within them, gazed at one another with brown imperturbable faces.
The former tenant of our house, a priest, had died in the back drawing-room. Air, musty from having been long enclosed, hung in all the rooms, and the waste room behind the kitchen was littered with old useless papers. Among these I found a few paper-covered books, the pages of which were curled and damp: The Abbot, by Walter Scott, The Devout Communicant, and The Memoirs of Vidocq. I liked the last best because its leaves were yellow. The wild garden behind the house contained a central apple-tree and a few straggling bushes, under one of which I found the late tenant's rusty bicycle-pump. He had been a very charitable priest; in his will he had left all his money to institutions and the furniture of his house to his sister.
When the short days of winter came, dusk fell before we had well eaten our dinners. When we met in the street the houses had grown sombre. The space of sky above us was the colour of ever-changing violet and towards it the lamps of the street lifted their feeble lanterns. The cold air stung us and we played till our bodies glowed. Our shouts echoed in the silent street. The career of our play brought us through the dark muddy lanes behind the houses, where we ran the gauntlet of the rough tribes from the cottages, to the back doors of the dark dripping gardens where odours arose from the ashpits, to the dark odorous stables where a coachman smoothed and combed the horse or shook music from the buckled harness. When we returned to the street, light from the kitchen windows had filled the areas. If my uncle was seen turning the corner, we hid in the shadow until we had seen him safely housed. Or if Mangan's sister came out on the doorstep to call her brother in to his tea, we watched her from our shadow peer up and down the street. We waited to see whether she would remain or go in and, if she remained, we left our shadow and walked up to Mangan's steps resignedly. She was waiting for us, her figure defined by the light from the half-opened door. Her brother always teased her before he obeyed, and I stood by the railings looking at her. Her dress swung as she moved her body, and the soft rope of her hair tossed from side to side.

Continue at the source

Image taken from here


Book choice: Dubliners

Edgar Allan Poe - Mesmeric Revelation

WHATEVER doubt may still envelop the rationale of mesmerism, its startling facts are now almost universally admitted. Of these latter, those who doubt, are your mere doubters by profession - an unprofitable and disreputable tribe. There can be no more absolute waste of time than the attempt to prove, at the present day, that man, by mere exercise of will, can so impress his fellow, as to cast him into an abnormal condition, of which the phenomena resemble very closely those of death, or at least resemble them more nearly than they do the phenomena of any other normal condition within our cognizance ; that, while in this state, the person so impressed employs only with effort, and then feebly, the external organs of sense, yet perceives, with keenly refined perception, and through channels supposed unknown, matters beyond the scope of the physical organs ; that, moreover, his intellectual faculties are wonderfully exalted and invigorated ; that his sympathies with the person so impressing him are profound ; and, finally, that his susceptibility to the impression increases with its frequency, while, in the same proportion, the peculiar phenomena elicited are more extended and more pronounced.

I say that these - which are the laws of mesmerism in its general features - it would be supererogation to demonstrate; nor shall I inflict upon my readers so needless a demonstration ; to-day. My purpose at present is a very different one indeed. I am impelled, even in the teeth of a world of prejudice, to detail without comment the very remarkable substance of a colloquy, occurring between a sleep-waker and myself.

I had been long in the habit of mesmerizing the person in question, (Mr. Vankirk,) and the usual acute susceptibility and exaltation of the mesmeric perception had supervened. For many months he had been laboring under confirmed phthisis, the more distressing effects of which had been relieved by my manipulations ; and on the night of Wednesday, the fifteenth instant, I was summoned to his bedside.

Continue at the source
Image taken from here

Jack London - To Build a Fire

DAY had broken cold and gray, exceedingly cold and gray, when the man turned aside from the main Yukon trail and climbed the high earth-bank, where a dim and little traveled trail led eastward through the fat spruce timberland. It was a steep bank, and he paused for breath at the top, excusing the act to himself by looking at his watch. It was nine o'clock. There was no sun nor hint of sun, though there was not a cloud in the sky. It was a clear day, and yet there seemed an intangible pall over the face of things, a subtle gloom that made the day dark, and that was due to the absence of sun. This fact did not worry the man. He was used to the lack of sun. It had been days since he had seen the sun, and he knew that a few more-days must pass before that cheerful orb, due south, would just peep above the sky-line and dip immediately from view.

The man flung a look back along the way he had come. The Yukon lay a mile wide and hidden under three feet of ice. On top of this ice were as many feet of snow. It was all pure white, rolling in gentle, undulations where the ice jams of the freeze-up had formed. North and south, as far as his eye could see, it was unbroken white, save for a dark hairline that curved and twisted from around the spruce-covered island to the south, and that curved and twisted away into the north, where it disappeared behind another spruce-covered island. This dark hair-line was the trail--the main trail--that led south five hundred miles to the Chilcoot Pass, Dyea, and salt water; and that led north seventy miles to Dawson, and still on to the north a thousand miles to Nulato, and finally to St. Michael on Bering Sea, a thousand miles and half a thousand more.

But all this--the mysterious, far-reaching hair-line trail. the absence of sun from the sky, the tremendous cold, and the strangeness and weirdness of it all--made no impression on the man. It was not because he was long used to it. He was a newcomer! in the land, a chechaquo, and this was his first winter. The trouble with him was that he was without imagination. He was quick and alert in the things of life, but only in the things, and not in the significances. Fifty degrees below zero meant eighty-odd degrees of frost. Such fact impressed him as being cold and uncomfortable, and that was all. It did not lead him to meditate upon his frailty as a creature of temperature, and upon man's frailty in general, able only to live within certain narrow limits of heat and cold; and from there on it did not lead him to the conjectural field of immortality and man's place in the universe. Fifty degrees below zero stood forte bite of frost that hurt and that must be guarded against by the use of mittens, ear-flaps, warm moccasins, and thick socks. Fifty degrees below zero was to him just precisely fifty degrees below zero. That there should be anything more to it than that was a thought that never entered his head.

Continue at the source
Image taken from here

Graham Greene - The End of the Party

Peter Morton woke with a start to face the first light. Rain tapped against the glass. It was January the fifth.

He looked across a table on which a night-light had guttered into a pool of water, at the other bed. Francis Morton was still asleep, and Peter lay down again with his eyes on his brother. It amused him to imagine it was himself whom he watched, the same hair, the same eyes, the same lips and line of cheek. But the thought palled, and the mind went back to the fact which lent the day importance. It was the fifth of January. He could hardly believe a year had passed since Mrs Henne-Falcon had given her last children's party.

Francis turned suddenly upon his back and threw an arm across his face, blocking his mouth. Peter's heart began to beat fast, not with pleasure now but with uneasiness. He sat up and called across the table, "Wake up." Francis's shoulders shook and he waved a clenched fist in the air, but his eyes remained closed. To Peter Morton the whole room seemed to darken, and he had the impression of a great bird swooping. He cried again, "Wake up," and once more there was silver light and the touch of rain on the windows.

Francis rubbed his eyes. "Did you call out?"' he asked.

"You are having a bad dream," Peter said. Already experience had taught him how far their minds reflected each other. But he was the elder, by a matter of minutes, and that brief extra interval of light, while his brother still struggled in pain and darkness, had given him self-reliance and an instinct of protection towards the other who was afraid of so many things.

"I dreamed that I was dead," Francis said.

"What was it like?"' Peter asked.

"I can't remember," Francis said.

"You dreamed of a big bird."

"Did I?"

Continue at the source

Image taken from here

Book Choice: Our Man in Havana (Penguin Classics)

Louisa May Alcott - Scarlet Stockings

"COME out for a drive, Harry?"
"Too cold."
"Have a game of billiards?"
"Too tired."
"Go and call on the Fairchilds?"
"Having an unfortunate prejudice against country girls, I respectfully decline."
"What will you do then?"
"Nothing, thank you."
And settling himself more luxuriously upon the couch, Lennox closed his eyes, and appeared to slumber tranquilly. Kate shook her head, and stood regarding her brother, despondently, till a sudden idea made her turn toward the window, exclaiming abruptly,
"Scarlet stockings, Harry!"
"Where?" and, as if the words were a spell to break the deepest day-dream, Lennox hurried to the window, with an unusual expression of interest in his listless face.
"I thought that would succeed! She isn't there, but I've got you up, and you are not to go down again," laughed Kate, taking possession of the sofa.
"Not a bad manoeuvre. I don't mind; it's about time for the one interesting event of the day to occur, so I'll watch for myself, thank you," and Lennox took the easy chair by the window with a shrug and a yawn.
"I'm glad any thing does interest you," said Kate, petulantly, "though I don't think it amounts to much, for, though you perch yourself at the window every day to see that girl pass, you don't care enough about it to ask her name."
"I've been waiting to be told."

Continue at the source

Image taken from here


Book Choice: Little Women (Oxford World's Classics)

Ring Lardner - The Golden Honeymoon

MOTHER says that when I start talking I never know when to stop. But I tell her the only time I get a chance is when she ain't around, so I have to make the most of it. I guess the fact is neither one of us would be welcome in a Quaker meeting, but as I tell Mother, what did God give us tongues for if He didn't want we should use them? Only she says He didn't give them to us to say the same thing over and over again, like I do, and repeat myself. But I say:

"Well, Mother," I say, "when people is like you and I and been married fifty years, do you expect everything I say will be something you ain't heard me say before? But it may be new to others, as they ain't nobody else lived with me as long as you have."

So she says:

"You can bet they ain't, as they couldn't nobody else stand you that long."

"Well," I tell her, "you look pretty healthy."

"Maybe I do," she will say, "but I looked even healthier before I married you."

You can't get ahead of Mother.

Yes, sir, we was married just fifty years ago the seventeenth day of last December and my daughter and son-in-law was over from Trenton to help us celebrate the Golden Wedding. My son-in-law is John H. Kramer, the real estate man. He made $12,000 one year and is pretty well thought of around Trenton; a good, steady, hard worker. The Rotarians was after him a long time to join, but he kept telling them his home was his club. But Edie fnally made him join. That's my daughter.

Continue at the source
 
Image taken from here

Book Choice: Ring Lardner: Selected Stories (Penguin Twentieth-Century Classics)