H.P. Lovecraft - The Tree

On a verdant slope of Mount Maenalus, in Arcadia, there stands an olive grove about the ruins of a villa. Close by is a tomb, once beautiful with the sublimest sculptures, but now fallen into as great decay as the house. At one end of that tomb, its curious roots displacing the time-stained blocks of Panhellic marble, grows an unnaturally large olive tree of oddly repellent shape; so like to some grotesque man, or death-distorted body of a man, that the country folk fear to pass it at night when the moon shines faintly through the crooked boughs. Mount Maenalus is a chosen haunt of dreaded Pan, whose queer companions are many, and simple swains believe that the tree must have some hideous kinship to these weird Panisci; but an old bee-keeper who lives in the neighboring cottage told me a different story.

Many years ago, when the hillside villa was new and resplendent, there dwelt within it the two sculptors Kalos and Musides. From Lydia to Neapolis the beauty of their work was praised, and none dared say that the one excelled the other in skill. The Hermes of Kalos stood in a marble shrine in Corinth, and the Pallas of Musides surmounted a pillar in Athens near the Parthenon. All men paid homage to Kalos and Musides, and marvelled that no shadow of artistic jealousy cooled the warmth of their brotherly friendship.

But though Kalos and Musides dwelt in unbroken harmony, their natures were not alike. Whilst Musides revelled by night amidst the urban gaieties of Tegea, Saios would remain at home; stealing away from the sight of his slaves into the cool recesses of the olive grove. There he would meditate upon the visions that filled his mind, and there devise the forms of beauty which later became immortal in breathing marble. Idle folk, indeed, said that Kalos conversed with the spirits of the grove, and that his statues were but images of the fauns and dryads he met there for he patterned his work after no living model.

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Book Choice: H. P. Lovecraft: Tales (Library of America)

Gustave Flaubert - The Legend of Saint-Julian the Hospitaller

Julian's father and mother dwelt in a castle built on the slope of a hill, in the heart of the woods.
The towers at its four corners had pointed roofs covered with leaden tiles, and the foundation rested upon solid rocks, which descended abruptly to the bottom of the moat.
In the courtyard, the stone flagging was as immaculate as the floor of a church. Long rain-spouts, representing dragons with yawning jaws, directed the water towards the cistern, and on each window-sill of the castle a basil or a heliotrope bush bloomed, in painted flower-pots.
A second enclosure, surrounded by a fence, comprised a fruit-orchard, a garden decorated with figures wrought in bright-hued flowers, an arbour with several bowers, and a mall for the diversion of the pages. On the other side were the kennel, the stables, the bakery, the wine-press and the barns. Around these spread a pasture, also enclosed by a strong hedge.
Peace had reigned so long that the portcullis was never lowered; the moats were filled with water; swallows built their nests in the cracks of the battlements, and as soon as the sun shone too strongly, the archer who all day long paced to and fro on the curtain, withdrew to the watch-tower and slept soundly.
Inside the castle, the locks on the doors shone brightly; costly tapestries hung in the apartments to keep out the cold; the closets overflowed with linen, the cellar was filled with casks of wine, and the oak chests fairly groaned under the weight of money-bags.
In the armoury could be seen, between banners and the heads of wild beasts, weapons of all nations and of all ages, from the slings of the Amalekites and the javelins of the Garamantes, to the broad-swords of the Saracens and the coats of mail of theNormans.
The largest spit in the kitchen could hold an ox; the chapel was as gorgeous as a king's oratory. There was even a Roman bath in a secluded part of the castle, though the good lord of the manor refrained from using it, as he deemed it a heathenish practice.
Wrapped always in a cape made of fox-skins, he wandered about the castle, rendered justice among his vassals and settled his neighbours' quarrels. In the winter, he gazed dreamily at the falling snow, or had stories read aloud to him. But as soon as the fine weather returned, he would mount his mule and sally forth into the country roads, edged with ripening wheat, to talk with the peasants, to whom he distributed advice. After a number of adventures he took unto himself a wife of high lineage.
She was pale and serious, and a trifle haughty. The horns of her head-dress touched the top of the doors and the hem of her gown trailed far behind her. She conducted her household like a cloister. Every morning she distributed work to the maids, supervised the making of preserves and unguents, and afterwards passed her time in spinning, or in embroidering altar-cloths. In response to her fervent prayers, God granted her a son!

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Book Choice: Madame Bovary--Provincial Manners

Leo Tolstoy - God Sees the Truth, But Waits

In the town of Vladimir lived a young merchant named Ivan Dmitrich Aksionov. He had two shops and a house of his own.
Aksionov was a handsome, fair-haired, curly-headed fellow, full of fun, and very fond of singing. When quite a young man he had been given to drink, and was riotous when he had had too much; but after he married he gave up drinking, except now and then.
One summer Aksionov was going to the Nizhny Fair, and as he bade good-bye to his family, his wife said to him, "Ivan Dmitrich, do not start to-day; I have had a bad dream about you."
Aksionov laughed, and said, "You are afraid that when I get to the fair I shall go on a spree."
His wife replied: "I do not know what I am afraid of; all I know is that I had a bad dream. I dreamt you returned from the town, and when you took off your cap I saw that your hair was quite grey."
Aksionov laughed. "That's a lucky sign," said he. "See if I don't sell out all my goods, and bring you some presents from the fair."
So he said good-bye to his family, and drove away. When he had travelled half-way, he met a merchant whom he knew, and they put up at the same inn for the night. They had some tea together, and then went to bed in adjoining rooms.
It was not Aksionov's habit to sleep late, and, wishing to travel while it was still cool, he aroused his driver before dawn, and told him to put in the horses.
Then he made his way across to the landlord of the inn (who lived in a cottage at the back), paid his bill, and continued his journey.
When he had gone about twenty-five miles, he stopped for the horses to be fed. Aksionov rested awhile in the passage of the inn, then he stepped out into the porch, and, ordering a samovar to be heated, got out his guitar and began to play.



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Book Choice: War and Peace

Paul Bowles - In the Red Room

When I had a house in Sri Lanka, my parents came out one winter to see me. Originally I had felt some qualms about encouraging their visit. Any one of several things--the constant heat, the unaccustomed food and drinking water, even the presence of a leprosy clinic a quarter of a mile from the house might easily have an adverse effect on them in one way or another. But I had underestimated their resilience; they made a greater show of adaptability than I had thought possible, and seemed entirely content with everything. They claimed not to mind the lack of running water in the bathrooms, and regularly praised the curries prepared by Appuhamy, the resident cook. Both of them being in their seventies, they were not tempted by the more distant or inaccessible points of interest. It was enough for them to stay around the house reading, sleeping, taking twilight dips in the ocean, and going on short trips along the coast by hired car. If the driver stopped unexpectedly at a shrine to sacrifice a coconut, they were delighted, and if they came upon a group of elephants lumbering along the road, the car had to be parked some distance up ahead, so that they could watch them approach and file past. They had no interest in taking photographs, and this spared me what is perhaps the most taxing duty of cicerone: the repeated waits while the ritual between man and machine is observed. They were ideal guests.Colombo, where all the people I knew lives, was less than a hundred miles away. Several times we went up for weekends, which I arranged with friends by telephone beforehand. There we had tea on the wide verandas of certain houses in Cinnamon Gardens, and sat at dinners with professors from the university, Protestant ministers, and assorted members of the government. (Many of the Sinhalese found it strange that I should call my parents by their first names, Dodd and Hannah; several of them inquired if I were actually their son or had been adopted.) These weekends in the city were hot and exhausting, and they were always happy to get back to the house, where they could change into comfortable clothing.

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Book Choice: The Stories of Paul Bowles

Joseph Conrad - The Lagoon

The white man, leaning with both arms over the roof of the little house in the stern of the boat, said to the steersman--
"We will pass the night in Arsat's clearing. It is late."
The Malay only grunted, and went on looking fixedly at the river. The white man rested his chin on his crossed arms and gazed at the wake of the boat. At the end of the straight avenue of forests cut by the intense glitter of the river, the sun appeared unclouded and dazzling, poised low over the water that shone smoothly like a band of metal. The forests, sombre and dull, stood motionless and silent on each side of the broad stream. At the foot of big, towering trees, trunkless nipa palms rose from the mud of the bank, in bunches of leaves enormous and heavy, that hung unstirring over the brown swirl of eddies. In the stillness of the air every tree, every leaf, every bough, every tendril of creeper and every petal of minute blossoms seemed to have been bewitched into an immobility perfect and final. Nothing moved on the river but the eight paddles that rose flashing regularly, dipped together with a single splash; while the steersman swept right and left with a periodic and sudden flourish of his blade describing a glinting semicircle above his head. The churned-up water frothed alongside with a confused murmur. And the white man's canoe, advancing upstream in the short-lived disturbance of its own making, seemed to enter the portals of a land from which the very memory of motion had forever departed.
The white man, turning his back upon the setting sun, looked along the empty and broad expanse of the sea-reach. For the last three miles of its course the wandering, hesitating river, as if enticed irresistibly by the freedom of an open horizon, flows straight into the sea, flows straight to the east--to the east that harbours both light and darkness. Astern of the boat the repeated call of some bird, a cry discordant and feeble, skipped along over the smooth water and lost itself, before it could reach the other shore, in the breathless silence of the world.
The steersman dug his paddle into the stream, and held hard with stiffened arms, his body thrown forward. The water gurgled aloud; and suddenly the long straight reach seemed to pivot on its centre, the forests swung in a semicircle, and the slanting beams of sunset touched the broadside of the canoe with a fiery glow, throwing the slender and distorted shadows of its crew upon the streaked glitter of the river. The white man turned to look ahead. The course of the boat had been altered at right-angles to the stream, and the carved dragon-head of its prow was pointing now at a gap in the fringing bushes of the bank. It glided through, brushing the overhanging twigs, and disappeared from the river like some slim and amphibious creature leaving the water for its lair in the forests.

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Book Choice: Heart of Darkness

Mark Twain - A Ghost Story

I TOOK a large room, far up Broadway, in a huge old building whose upper stories had been wholly unoccupied for years, until I came. The place had long been given up to dust and cobwebs, to solitude and silence. I seemed groping among the tombs and invading the privacy of the dead, that first night I climbed up to my quarters. For the first time in my life a superstitious dread came over me; and as I turned a dark angle of the stairway and an invisible cobweb swung its lazy woof in my face and clung there, I shuddered as one who had encountered a phantom.
I was glad enough when I reached my room and locked out the mould and the darkness. A cheery fire was burning in the grate, and I sat down before it with a comforting sense of relief. For two hours I sat there, thinking of bygone times; recalling old scenes, and summoning half-forgotten faces out of the mists of the past; listening, in fancy, to voices that long ago grew silent for all time, and to once familiar songs that nobody sings now. And as my reverie softened down to a sadder and sadder pathos, the shrieking of the winds outside softened to a wail, the angry beating of the rain against the panes diminished to a tranquil patter, and one by one the noises in the street subsided, until the hurrying footsteps of the last belated straggler died away in the distance and left no sound behind.
The fire had burned low. A sense of loneliness crept over me. I arose and undressed, moving on tiptoe about the room, doing stealthily what I had to do, as if I were environed by sleeping enemies whose slumbers it would be fatal to break. I covered up in bed, and lay listening to the rain and wind and the faint creaking of distant shutters, till they lulled me to sleep.

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Book Choice: Autobiography of Mark Twain, Vol. 1

Guy de Maupassant - The Beggar

He had seen better days, despite his present misery and infirmities.
At the age of fifteen both his legs had been crushed by a carriage on the Varville highway. From that time forth he begged, dragging himself along the roads and through the farmyards, supported by crutches which forced his shoulders up to his ears. His head looked as if it were squeezed in between two mountains.
A foundling, picked up out of a ditch by the priest of Les Billettes on the eve of All Saints' Day and baptized, for that reason, Nicholas Toussaint, reared by charity, utterly without education, crippled in consequence of having drunk several glasses of brandy given him by the baker (such a funny story!) and a vagabond all his life afterward--the only thing he knew how to do was to hold out his hand for alms.
At one time the Baroness d'Avary allowed him to sleep in a kind of recess spread with straw, close to the poultry yard in the farm adjoining the chateau, and if he was in great need he was sure of getting a glass of cider and a crust of bread in the kitchen. Moreover, the old lady often threw him a few pennies from her window. But she was dead now.
In the villages people gave him scarcely anything--he was too well known. Everybody had grown tired of seeing him, day after day for forty years, dragging his deformed and tattered person from door to door on his wooden crutches. But he could not make up his mind to go elsewhere, because he knew no place on earth but this particular corner of the country, these three or four villages where he had spent the whole of his miserable existence. He had limited his begging operations and would not for worlds have passed his accustomed bounds.

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Book Choice: A Parisian Affair and Other Stories

Honore de Balzac - The Red Inn

In I know not what year a Parisian banker, who had very extensive commercial relations with Germany, was entertaining at dinner one of those friends whom men of business often make in the markets of the world through correspondence; a man hitherto personally unknown to him. This friend, the head of a rather important house in Nuremburg, was a stout worthy German, a man of taste and erudition, above all a man of pipes, having a fine, broad, Nuremburgian face, with a square open forehead adorned by a few sparse locks of yellowish hair. He was the type of the sons of that pure and noble Germany, so fertile in honorable natures, whose peaceful manners and morals have never been lost, even after seven invasions.
This stranger laughed with simplicity, listened attentively, and drank remarkably well, seeming to like champagne as much perhaps as he liked his straw-colored Johannisburger. His name was Hermann, which is that of most Germans whom authors bring upon their scene. Like a man who does nothing frivolously, he was sitting squarely at the banker's table and eating with that Teutonic appetite so celebrated throughout Europe, saying, in fact, a conscientious farewell to the cookery of the great Careme.
To do honor to his guest the master of the house had invited a few intimate friends, capitalists or merchants, and several agreeable and pretty women, whose pleasant chatter and frank manners were in harmony with German cordiality. Really, if you could have seen, as I saw, this joyous gathering of persons who had drawn in their commercial claws, and were speculating only on the pleasures of life, you would have found no cause to hate usurious discounts, or to curse bankruptcies. Mankind can't always be doing evil. Even in the society of pirates one might find a few sweet hours during which we could fancy their sinister craft a pleasure-boat rocking on the deep.
"Before we part, Monsieur Hermann will, I trust, tell one more German story to terrify us?"

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Book Choice: Pere Goriot (Norton Critical Editions)

Fyodor Dostoevsky - Bobok

SEMYON ARDALYONOVITCH said to me all of a sudden the day before yesterday: "Why, will you ever be sober, Ivan Ivanovitch? Tell me that, pray."
A strange requirement. I did not resent it, I am a timid man; but here they have actually made me out mad. An artist painted my portrait as it happened: "After all, you are a literary man," he said. I submitted, he exhibited it. I read: "Go and look at that morbid face suggesting insanity."
It may be so, but think of putting it so bluntly into print. In print everything ought to be decorous; there ought to be ideals, while instead of that . . .
Say it indirectly, at least; that's what you have style for. But no, he doesn't care to do it indirectly. Nowadays humour and a fine style have disappeared, and abuse is accepted as wit. I do not resent it: but God knows I am not enough of a literary man to go out of my mind. I have written a novel, it has not been published. I have written articles - they have been refused. Those articles I took about from one editor to another; everywhere they refused them: you have no salt they told me. "What sort of salt do you want?" I asked with a sneer. "Attic salt?"
They did not even understand, for the most part I translate from the French for the booksellers. I write advertisements for shopkeepers too: "Unique opportunity! Fine tea, from our own plantations . . ." I made a nice little sum over a panegyric on his deceased excellency Pyotr Matveyitch. I compiled the "Art of pleasing the ladies", a commission from a bookseller. I have brought out some six little works of this kind in the course of my life. I am thinking of making a collection of the bons mots of Voltaire, but am afraid it may seem a little flat to our people. Voltaire's no good now; nowadays we want a cudgel, not Voltaire. We knock each other's last teeth out nowadays. Well, so that's the whole extent of my literary activity. Though indeed I do send round letters to the editors gratis and fully signed. I give them all sorts of counsels and admonitions, criticise and point out the true path. The letter I sent last week to an editor's office was the fortieth I had sent in the last two years. I have wasted four roubles over stamps alone for them. My temper is at the bottom of it all.

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Book Choice: The Brothers Karamazov

Ambrose Bierce - A Baby Tramp

If you had seen little Jo standing at the street corner in the rain, you would hardly have admired him. It was apparently an ordinary autumn rainstorm, but the water which fell upon Jo (who was hardly old enough to be either just or unjust, and so perhaps did not come under the law of impartial distribution) appeared to have some property peculiar to itself: one would have said it was dark and adhesive -- sticky. But that could hardly be so, even in Blackburg, where things certainly did occur that were a good deal out of the common.
For example, ten or twelve years before, a shower of small frogs had fallen, as is credibly attested by a contemporaneous chronicle, the record concluding with a somewhat obscure statement to the effect that the chronicler considered it good growing-weather for Frenchmen.
Some years later Blackburg had a fall of crimson snow; it is cold in Blackburg when winter is on, and the snows are frequent and deep. There can be no doubt of it -- the snow in this instance was of the colour of blood and melted into water of the same hue, if water it was, not blood. The phenomenon had attracted wide attention, and science had as many explanations as there were scientists who knew nothing about it. But the men of Blackburg -- men who for many years had lived right there where the red snow fell, and might be supposed to know a good deal about the matter -- shook their heads and said something would come of it.
And something did, for the next summer was made memorable by the prevalence of a mysterious disease -- epidemic, endemic, or the Lord knows what, though the physicians didn't -- which carried away a full half of the population. Most of the other half carried themselves away and were slow to return, but finally came back, and were now increasing and multiplying as before, but Blackburg had not since been altogether the same.
Of quite another kind, though equally 'out of the common,' was the incident of Hetty Parlow's ghost. Hetty Parlow's maiden name had been Brownon, and in Blackburg that meant more than one would think.

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