Time for Some Campaignin'

I've never uploaded a video on this blog before, but this one talks about the forthcoming U.S. elections and i've really enjoyed it. Have fun...

Kate Chopin - The Kiss

Now here's a story by one of the most famous women writers the late 19th early 20th century. From the american born Kate Chopin comes the story of The Kiss:

It was still quite light out of doors, but inside with the curtains drawn and the smouldering fire sending out a dim, uncertain glow, the room was full of deep shadows.
Brantain sat in one of these shadows; it had overtaken him and he did not mind. The obscurity lent him courage to keep his eves fastened as ardently as he liked upon the girl who sat in the firelight.
She was very handsome, with a certain fine, rich coloring that belongs to the healthy brune type. She was quite composed, as she idly stroked the satiny coat of the cat that lay curled in her lap, and she occasionally sent a slow glance into the shadow where her companion sat. They were talking low, of indifferent things which plainly were not the things that occupied their thoughts. She knew that he loved her--a frank, blustering fellow without guile enough to conceal his feelings, and no desire to do so. For two weeks past he had sought her society eagerly and persistently. She was confidently waiting for him to declare himself and she meant to accept him. The rather insignificant and unattractive Brantain was enormously rich; and she liked and required the entourage which wealth could give her.
During one of the pauses between their talk of the last tea and the next reception the door opened and a young man entered whom Brantain knew quite well. The girl turned her face toward him. A stride or two brought him to her side, and bending over her chair--before she could suspect his intention, for she did not realize that he had not seen her visitor--he pressed an ardent, lingering kiss upon her lips.
Brantain slowly arose; so did the girl arise, but quickly, and the newcomer stood between them, a little amusement and some defiance struggling with the confusion in his face.
"I believe," stammered Brantain, "I see that I have stayed too long. I--I had no idea--that is, I must wish you good-by." He was clutching his hat with both hands, and probably did not perceive that she was extending her hand to him, her presence of mind had not completely deserted her; but she could not have trusted herself to speak.
"Hang me if I saw him sitting there, Nattie! I know it's deuced awkward for you. But I hope you'll forgive me this once--this very first break. Why, what's the matter?"
"Don't touch me; don't come near me," she returned angrily. "What do you mean by entering the house without ringing?"
"I came in with your brother, as I often do," he answered coldly, in self-justification. "We came in the side way. He went upstairs and I came in here hoping to find you. The explanation is simple enough and ought to satisfy you that the misadventure was unavoidable. But do say that you forgive me, Nathalie," he entreated, softening.
"Forgive you! You don't know what you are talking about. Let me pass. It depends upon--a good deal whether I ever forgive you."
At that next reception which she and Brantain had been talking about she approached the young man with a delicious frankness of manner when she saw him there.
"Will you let me speak to you a moment or two, Mr. Brantain?" she asked with an engaging but perturbed smile. He seemed extremely unhappy; but when she took his arm and walked away with him, seeking a retired corner, a ray of hope mingled with the almost comical misery of his expression. She was apparently very outspoken.
"Perhaps I should not have sought this interview, Mr. Brantain; but--but, oh, I have been very uncomfortable, almost miserable since that little encounter the other afternoon. When I thought how you might have misinterpreted it, and believed things" --hope was plainly gaining the ascendancy over misery in Brantain's round, guileless face--"Of course, I know it is nothing to you, but for my own sake I do want you to understand that Mr. Harvy is an intimate friend of long standing. Why, we have always been like cousins--like brother and sister, I may say. He is my brother's most intimate associate and often fancies that he is entitled to the same privileges as the family. Oh, I know it is absurd, uncalled for, to tell you this; undignified even," she was almost weeping, "but it makes so much difference to me what you think of--of me." Her voice had grown very low and agitated. The misery had all disappeared from Brantain's face.
"Then you do really care what I think, Miss Nathalie? May I call you Miss Nathalie?" They turned into a long, dim corridor that was lined on either side with tall, graceful plants. They walked slowly to the very end of it. When they turned to retrace their steps Brantain's face was radiant and hers was triumphant.

Harvy was among the guests at the wedding; and he sought her out in a rare moment when she stood alone.
"Your husband," he said, smiling, "has sent me over to kiss you. "
A quick blush suffused her face and round polished throat. "I suppose it's natural for a man to feel and act generously on an occasion of this kind. He tells me he doesn't want his marriage to interrupt wholly that pleasant intimacy which has existed between you and me. I don't know what you've been telling him," with an insolent smile, "but he has sent me here to kiss you."
She felt like a chess player who, by the clever handling of his pieces, sees the game taking the course intended. Her eyes were bright and tender with a smile as they glanced up into his; and her lips looked hungry for the kiss which they invited.
"But, you know," he went on quietly, "I didn't tell him so, it would have seemed ungrateful, but I can tell you. I've stopped kissing women; it's dangerous."
Well, she had Brantain and his million left. A person can't have everything in this world; and it was a little unreasonable of her to expect it.

Source: Classic Reader
Bio: Wikipedia
Link: Kate Chopin Org

Saki - Filboid Studge

It's been quite a while since the last time i've uploaded a story by the great Saki, so for you today here's the story of Filboid Studge:

"I want to marry your daughter," said Mark Spayley with faltering eagerness. "I am only an artist with an income of two hundred a year, and she is the daughter of an enormously wealthy man, so I suppose you will think my offer a piece of presumption."
Duncan Dullamy, the great company inflator, showed no outward sign of displeasure. As a matter of fact, he was secretly relieved at the prospect of finding even a two-hundred-a-year husband for his daughter Leonore. A crisis was rapidly rushing upon him, from which he knew he would emerge with neither money nor credit; all his recent ventures had fallen flat, and flattest of all had gone the wonderful new breakfast food, Pipenta, on the advertisement of which he had sunk such huge sums. It could scarcely be called a drug in the market; people bought drugs, but no one bought Pipenta.
"Would you marry Leonore if she were a poor man's daughter?" asked the man of phantom wealth.
"Yes," said Mark, wisely avoiding the error of over-protestation. And to his astonishment Leonore's father not only gave his consent, but suggested a fairly early date for the wedding. "I wish I could show my gratitude in some way," said Mark with genuine emotion. "I'm afraid it's rather like the mouse proposing to help the lion."
"Get people to buy that beastly muck," said Dullamy, nodding savagely at a poster of the despised Pipenta, "and you'll have done more than any of my agents have been able to accomplish."
"It wants a better name," said Mark reflectively, "and something distinctive in the poster line. Anyway, I'll have a shot at it."
Three weeks later the world was advised of the coming of a new breakfast food, heralded under the resounding name of "Filboid Studge." Spayley put forth no pictures of massive babies springing up with fungus-like rapidity under its forcing influence, or of representatives of the leading nations of the world scrambling with fatuous eagerness for its possession. One huge sombre poster depicted the Damned in Hell suffering a new torment from their inability to get at the Filboid Studge which elegant young fiends held in transparent bowls just beyond their reach. The scene was rendered even more gruesome by a subtle suggestion of the features of leading men and women of the day in the portrayal of the Lost Souls; prominent individuals of both political parties, Society hostesses, well-known dramatic authors and novelists, and distinguished aeroplanists were dimly recognizable in that doomed throng; noted lights of the musical-comedy stage flickered wanly in the shades of the Inferno, smiling still from force of habit, but with the fearsome smiling rage of baffled effort. The poster bore no fulsome allusions to the merits of the new breakfast food, but a single grim statement ran in bold letters along its base: "They cannot buy it now."
Spayley had grasped the fact that people will do things from a sense of duty which they would never attempt as a pleasure. There are thousands of respectable middle-class men who, if you found them unexpectedly in a Turkish bath, would explain in all sincerity that a doctor had ordered them to take Turkish baths; if you told them in return that you went there because you liked it, they would stare in pained wonder at the frivolity of your motive. In the same way, whenever a massacre of Armenians is reported from Asia Minor, every one assumes that it has been carried out "under orders" from somewhere or another; no one seems to think that there are people who might like to kill their neighbours now and then.
And so it was with the new breakfast food. No one would have eaten Filboid Studge as a pleasure, but the grim austerity of its advertisement drove housewives in shoals to the grocers' shops to clamour for an immediate supply. In small kitchens solemn pig-tailed daughters helped depressed mothers to perform the primitive ritual of its preparation. On the breakfast-tables of cheerless parlours it was partaken of in silence. Once the womenfolk discovered that it was thoroughly unpalatable, their zeal in forcing it on their households knew no bounds. "You haven't eaten your Filboid Studge!" would be screamed at the appetiteless clerk as he turned weariedly from the breakfast-table, and his evening meal would be prefaced by a warmed-up mess which would be explained as "your Filboid Studge that you didn't eat this morning." Those strange fanatics who ostentatiously mortify themselves, inwardly and outwardly, with health biscuits and health garments, battened aggressively on the new food. Earnest spectacled young men devoured it on the steps of the National Liberal Club. A bishop who did not believe in a future state preached against the poster, and a peer's daughter died from eating too much of the compound. A further advertisement was obtained when an infantry regiment mutinied and shot its officers rather than eat the nauseous mess; fortunately, Lord Birrell of Blatherstone, who was War Minister at the moment, saved the situation by his happy epigram, that "Discipline to be effective must be optional."
Filboid Studge had become a household word, but Dullamy wisely realized that it was not necessarily the last word in breakfast dietary; its supremacy would be challenged as soon as some yet more unpalatable food should be put on the market. There might even be a reaction in favour of something tasty and appetizing, and the Puritan austerity of the moment might be banished from domestic cookery. At an opportune moment, therefore, he sold out his interests in the article which had brought him in colossal wealth at a critical juncture, and placed his financial reputation beyond the reach of cavil. As for Leonore, who was now an heiress on a far greater scale than ever before, he naturally found her something a vast deal higher in the husband market than a two-hundred-a-year poster designer. Mark Spayley, the brainmouse who had helped the financial lion with such untoward effect, was left to curse the day he produced the wonder-working poster.
"After all," said Clovis, meeting him shortly afterwards at his club, "you have this doubtful consolation, that 'tis not in mortals to countermand success."

Source: East of the Web

Dear You 13

I didn’t write to you for quite some time now, but that’s only because my life in Cyprus tends to be quite different than that in Thailand; more boring actually.
Since coming back my energy has dropped to half all the way; meaning: I write half as much as I used to write in Chiang Mai, read half as much and think half as much. I don’t know if I should blame it on the hot weather, or simply on the fact that when here I’m hardly inspired to do anything. It’s not that there are too many distractions; the truth is I’m completely focused in what I want to do. The problem is that I have no-one who can really understand what I’m trying to do and lend me a helping hand.
Yes, I know that writing is the path of the lonesome, but it wouldn’t hurt if there was someone I could talk with about my work, as there were in Chiang Mai.
Anyway, I shouldn’t complain really since, apart from that, I lead a quite easy going and creative life.
As far as writing is concerned I’ve just finished re-writing a novella, and I will start working on another one today. The first one is the story of an unwilling hooker that worked in Piraeus, Greece in the seventies, while the second talks about a love affair that went terribly wrong, shredding to pieces the lives of all the people involved.
What do I read these days? In the last couple of weeks I’ve read The Golden Compass by Philip Pullman and The Quest by Wilbur Smith (both excellent books, really) and I’ve just started Michael Connelly’s The Narrows. Probably J.R.R. Tolkien will follow with The Children of Hurin.
The novel I wrote last year, hopefully, will be published in Greece in October. Its current title is A Second Life, but most probably it will change.
Ok, that’s all for now. I hope you will enjoy the rest of the summer, while you keep on reading.
Cheers from the island of the sun.

Les Miserables

An excellent article about Les Miserables, the 19th century masterpiece by Victor Hugo was published today in The Guardian, and it goes like this:

To begin with the central problem: the exorbitant length. Les Misérables is one of the longest novels in European literature. But length is not just a question of pages, it's also a question of tempo. And this is why Les Misérables is longer than the arithmetic of its length.
In his essay "The Curtain", Milan Kundera writes how "aesthetic concepts began to interest me only when I first perceived their existential roots, when I came to understand them as existential concepts . . ." A form is not free-floating; it is not purely a technical exercise, an external imposition. It is intimately, intricately linked to what it describes. "In the art of the novel," Kundera adds, "existential discoveries are inseparable from the transformation of form."

For more read at the source...

Sherwood Anderson - Motherhood

On this fine summer morning i bring to you a short story by one of the most famous American writers, Mr. Sherwood Anderson. Read about Motherhood:

Below the hill there was a swamp in which cattails grew. The wind rustled the dry leaves of a walnut tree that grew on top of the hill.
She went beyond the tree to where the grass was long and matted. In the farmhouse a door bangs and in the road before the house a dog barked.
For a long time there was no sound. Then a wagon came jolting and bumping over the frozen road. The little noises ran along the ground to where she was lying on the grass and seemed like fingers playing over her body. A fragrance arose from her. It took a long time for the wagon to pass.
Then another sound broke the stillness. A young man from a neighboring farm came stealthily across a field and climbed a fence. He also came to the hill but for a time did not see her lying almost at his feet. He looked toward the house and stood with hands in pockets, stamping on the frozen ground like a horse.
Then he knew she was there. The aroma of her crept into his consciousness.
He ran to kneel beside her silent figure. Everything was different than it had been when they crept to the hill on the other evenings. The time of talking and waiting was over. She was different. He grew bold and put his hands on her face, her neck, her breasts, her hips. There was a strange new firmness and hardness to her body. When he kissed her lips she did not move and for a moment he was afraid. Then courage came and he went down to lie with her.
He had been a farm boy all his life and had plowed many acres of rich black land.
He became sure of himself.
He plowed her deeply.
He planted the seeds of a son in the warm rich quivering soil.

* * * * *
She carried the seeds of a son within herself. On winter evenings she went along a path at the foot of a small hill and turned up the hill to a barn where she milked cows. She was large and strong. Her legs went swinging along. The son within her went swinging along.
He learned the rhythm of little hills.
He learned the rhythm of flat places.
He learned the rhythm of legs walking.
He learned the rhythm of firm strong hands pulling at the teats of cows.

* * * * *
There was a field that was barren and filled with stones. In the spring when the warm nights came and when she was big with him she went to the fields. The heads of little stones stuck out of the ground like the heads of buried children. The field, washed with moonlight, sloped gradually downward to a murmuring brook. A few sheep went among the stones nibbling the sparse grass.
A thousand children were buried in the barren field. They struggled to come out of the ground. They struggled to come to her. The brook ran over stones and its voice cried out. For a long time she stayed in the field, shaken with sorrow.
She arose from her seat on a large stone and went to the farmhouse. The voices of the darkness cried to her as she went along a lane and past a silent barn.
Within herself only the one child struggled. When she got into bed his heels beat upon the walls of his prison. She lay still and listened. Only one small voice seemed coming to her out of the silence of the night.

Source: Classic Reader

Virginia Woolf - The Mark On The Wall

It was about time i've posted another story by the famous and mysterious Virginia Woolf, so here's The Mark On The Wall:
PERHAPS IT WAS the middle of January in the present year that I first looked up and saw the mark on the wall. In order to fix a date it is necessary to remember what one saw. So now I think of the fire; the steady film of yellow light upon the page of my book; the three chrysanthemums in the round glass bowl on the mantelpiece. Yes, it must have been the winter time, and we had just finished our tea, for I remember that I was smoking a cigarette when I looked up and saw the mark on the wall for the first time. I looked up through the smoke of my cigarette and my eye lodged for a moment upon the burning coals, and that old fancy of the crimson flag flapping from the castle tower came into my mind, and I thought of the cavalcade of red knights riding up the side of the black rock. Rather to my relief the sight of the mark interrupted the fancy, for it is an old fancy, an automatic fancy, made as a child perhaps. The mark was a small round mark, black upon the white wall, about six or seven inches above the mantelpiece. How readily our thoughts swarm upon a new object, lifting it a little way, as ants carry a blade of straw so feverishly, and then leave it.... If that mark was made by a nail, it can't have been for a picture, it must have been for a miniature­the miniature of a lady with white powdered curls, powder-dusted cheeks, and lips like red carnations. A fraud of course, for the people who had this house before us would have chosen pictures in that way­an old picture for an old room. That is the sort of people they were­very interesting people, and I think of them so often, in such queer places, because one will never see them again, never know what happened next. They wanted to leave this house because they wanted to change their style of furniture, so he said, and he was in process of saying that in his opinion art should have ideas behind it when we were torn asunder, as one is torn from the old lady about to pour out tea and the young man about to hit the tennis ball in the back garden of the suburban villa as one rushes past in the train. But as for that mark, I'm not sure about it; I don't believe it was made by a nail after all; it's too big, too round, for that. I might get up, but if I got up and looked at it, ten to one I shouldn't be able to say for certain; because once a thing's done, no one ever knows how it happened. Oh! dear me, the mystery of life; The inaccuracy of thought! The ignorance of humanity! To show how very little control of our possessions we have­what an accidental affair this living is after all our civilization­let me just count over a few of the things lost in one lifetime, beginning, for that seems always the most mysterious of losses­what cat would gnaw, what rat would nibble­three pale blue canisters of book-binding tools? Then there were the bird cages, the iron hoops, the steel skates, the Queen Anne coal-scuttle, the bagatelle board, the hand organ­all gone, and jewels, too. Opals and emeralds, they lie about the roots of turnips. What a scraping paring affair it is to be sure! The wonder is that I've any clothes on my back, that I sit surrounded by solid furniture at this moment. Why, if one wants to compare life to anything, one must liken it to being blown through the Tube at fifty miles an hour­landing at the other end without a single hairpin in one's hair! Shot out at the feet of God entirely naked! Tumbling head over heels in the asphodel meadows like brown paper parcels pitched down a shoot in the post office! With one's hair flying back like the tail of a race-horse. Yes, that seems to express the rapidity of life, the perpetual waste and repair; all so casual, all so haphazard.... But after life. The slow pulling down of thick green stalks so that the cup of the flower, as it turns over, deluges one with purple and red light. Why, after all, should one not be born there as one is born here, helpless, speechless, unable to focus one's eyesight, groping at the roots of the grass, at the toes of the Giants? As for saying which are trees, and which are men and women, or whether there are such things, that one won't be in a condition to do for fifty years or so. There will be nothing but spaces of light and dark, intersected by thick stalks, and rather higher up perhaps, rose-shaped blots of an indistinct colour­dim pinks and blues­which will, as time goes on, become more definite, become­I don't know what.... And yet that mark on the wall is not a hole at all. It may even be caused by some round black substance, such as a small rose leaf, left over from the summer, and I, not being a very vigilant housekeeper­look at the dust on the mantelpiece, for example, the dust which, so they say, buried Troy three times over, only fragments of pots utterly refusing annihilation, as one can believe. The tree outside the window taps very gently on the pane.... I want to think quietly, calmly, spaciously, never to be interrupted, never to have to rise from my chair, to slip easily from one thing to another, without any sense of hostility, or obstacle. I want to sink deeper and deeper, away from the surface, with its hard separate facts. To steady myself, let me catch hold of the first idea that passes.... Shakespeare.... Well, he will do as well as another. A man who sat himself solidly in an arm-chair, and looked into the fire, so­A shower of ideas fell perpetually from some very high Heaven down through his mind. He leant his forehead on his hand, and people, looking in through the open door,­for this scene is supposed to take place on a summer's evening­But how dull this is, this historical fiction! It doesn't interest me at all. I wish I could hit upon a pleasant track of thought, a track indirectly reflecting credit upon myself, for those are the pleasantest thoughts, and very frequent even in the minds of modest mouse-coloured people, who believe genuinely that they dislike to hear their own praises. They are not thoughts directly praising oneself; that is the beauty of them; they are thoughts like this: "And then I came into the room. They were discussing botany. I said how I'd seen a flower growing on a dust heap on the site of an old house in Kingsway. The seed, I said, must have been sown in the reign of Charles the First. What flowers grew in the reign of Charles the First?" I asked­(but I don't remember the answer). Tall flowers with purple tassels to them perhaps. And so it goes on. All the time I'm dressing up the figure of myself in my own mind, lovingly, stealthily, not openly adoring it, for if I did that, I should catch myself out, and stretch my hand at once for a book in self-protection. Indeed, it is curious how instinctively one protects the image of oneself from idolatry or any other handling that could make it ridiculous, or too unlike the original to be believed in any longer. Or is it not so very curious after all? It is a matter of great importance. Suppose the looking glass smashes, the image disappears, and the romantic figure with the green of forest depths all about it is there no longer, but only that shell of a person which is seen by other people­what an airless, shallow, bald, prominent world it becomes! A world not to be lived in. As we face each other in omnibuses and underground railways we are looking into the mirror; that accounts for the vagueness, the gleam of glassiness, in our eyes. And the novelists in future will realize more and more the importance of these reflections, for of course there is not one reflection but an almost infinite number; those are the depths they will explore, those the phantoms they will pursue, leaving the description of reality more and more out of their stories, taking a knowledge of it for granted, as the Greeks did and Shakespeare perhaps­but these generalizations are very worthless. The military sound of the word is enough. It recalls leading articles, cabinet ministers­a whole class of things indeed which as a child one thought the thing itself, the standard thing, the real thing, from which one could not depart save at the risk of nameless damnation. Generalizations bring back somehow Sunday in London, Sunday afternoon walks, Sunday luncheons, and also ways of speaking of the dead, clothes, and habits­like the habit of sitting all together in one room until a certain hour, although nobody liked it. There was a rule for everything. The rule for tablecloths at that particular period was that they should be made of tapestry with little yellow compartments marked upon them, such as you may see in photographs of the carpets in the corridors of the royal palaces. Tablecloths of a different kind were not real tablecloths. How shocking, and yet how wonderful it was to discover that these real things, Sunday luncheons, Sunday walks, country houses, and tablecloths were not entirely real, were indeed half phantoms, and the damnation which visited the disbeliever in them was only a sense of illegitimate freedom. What now takes the place of those things I wonder, those real standard things? Men perhaps, should you be a woman; the masculine point of view which governs our lives, which sets the standard, which establishes Whitaker's Table of Precedency, which has become, I suppose, since the war half a phantom to many men and women, which soon, one may hope, will be laughed into the dustbin where the phantoms go, the mahogany sideboards and the Landseer prints, Gods and Devils, Hell and so forth, leaving us all with an intoxicating sense of illegitimate freedom­if freedom exists.... In certain lights that mark on the wall seems actually to project from the wall. Nor is it entirely circular. I cannot be sure, but it seems to cast a perceptible shadow, suggesting that if I ran my finger down that strip of the wall it would, at a certain point, mount and descend a small tumulus, a smooth tumulus like those barrows on the South Downs which are, they say, either tombs or camps. Of the two I should prefer them to be tombs, desiring melancholy like most English people, and finding it natural at the end of a walk to think of the bones stretched beneath the turf.... There must be some book about it. Some antiquary must have dug up those bones and given them a name.... What sort of a man is an antiquary, I wonder? Retired Colonels for the most part, I daresay, leading parties of aged labourers to the top here, examining clods of earth and stone, and getting into correspondence with the neighbouring clergy, which, being opened at breakfast time, gives them a feeling of importance, and the comparison of arrow-heads necessitates cross-country journeys to the county towns, an agreeable necessity both to them and to their elderly wives, who wish to make plum jam or to clean out the study, and have every reason for keeping that great question of the camp or the tomb in perpetual suspension, while the Colonel himself feels agreeably philosophic in accumulating evidence on both sides of the question. It is true that he does finally incline to believe in the camp; and, being opposed, indites a pamphlet which he is about to read at the quarterly meeting of the local society when a stroke lays him low, and his last conscious thoughts are not of wife or child, but of the camp and that arrowhead there, which is now in the case at the local museum, together with the foot of a Chinese murderess, a handful of Elizabethan nails, a great many Tudor clay pipes, a piece of Roman pottery, and the wine-glass that Nelson drank out of­proving I really don't know what. No, no, nothing is proved, nothing is known. And if I were to get up at this very moment and ascertain that the mark on the wall is really­what shall we say?­the head of a gigantic old nail, driven in two hundred years ago, which has now, owing to the patient attrition of many generations of housemaids, revealed its head above the coat of paint, and is taking its first view of modern life in the sight of a white-walled fire-lit room, what should I gain?­Knowledge? Matter for further speculation? I can think sitting still as well as standing up. And what is knowledge? What are our learned men save the descendants of witches and hermits who crouched in caves and in woods brewing herbs, interrogating shrew-mice and writing down the language of the stars? And the less we honour them as our superstitions dwindle and our respect for beauty and health of mind increases.... Yes, one could imagine a very pleasant world. A quiet, spacious world, with the flowers so red and blue in the open fields. A world without professors or specialists or house-keepers with the profiles of policemen, a world which one could slice with one's thought as a fish slices the water with his fin, grazing the stems of the water-lilies, hanging suspended over nests of white sea eggs.... How peaceful it is down here, rooted in the centre of the world and gazing up through the grey waters, with their sudden gleams of light, and their reflections­if it were not for Whitaker's Almanack­if it were not for the Table of Precedency! I must jump up and see for myself what that mark on the wall really is­a nail, a rose-leaf, a crack in the wood? Here is nature once more at her old game of self-preservation. This train of thought, she perceives, is threatening mere waste of energy, even some collision with reality, for who will ever be able to lift a finger against Whitaker's Table of Precedency? The Archbishop of Canterbury is followed by the Lord High Chancellor; the Lord High Chancellor is followed by the Archbishop of York. Everybody follows somebody, such is the philosophy of Whitaker; and the great thing is to know who follows whom. Whitaker knows, and let that, so Nature counsels, comfort you, instead of enraging you; and if you can't be comforted, if you must shatter this hour of peace, think of the mark on the wall. I understand Nature's game­her prompting to take action as a way of ending any thought that threatens to excite or to pain. Hence, I suppose, comes our slight contempt for men of action­men, we assume, who don't think. Still, there's no harm in putting a full stop to one's disagreeable thoughts by looking at a mark on the wall. Indeed, now that I have fixed my eyes upon it, I feel that I have grasped a plank in the sea; I feel a satisfying sense of reality which at once turns the two Archbishops and the Lord High Chancellor to the shadows of shades. Here is something definite, something real. Thus, waking from a midnight dream of horror, one hastily turns on the light and lies quiescent, worshipping the chest of drawers, worshipping solidity, worshipping reality, worshipping the impersonal world which is a proof of some existence other than ours. That is what one wants to be sure of.... Wood is a pleasant thing to think about. It comes from a tree; and trees grow, and we don't know how they grow. For years and years they grow, without paying any attention to us, in meadows, in forests, and by the side of rivers­all things one likes to think about. The cows swish their tails beneath them on hot afternoons; they paint rivers so green that when a moorhen dives one expects to see its feathers all green when it comes up again. I like to think of the fish balanced against the stream like flags blown out; and of water-beetles slowly raising domes of mud upon the bed of the river. I like to think of the tree itself: first the close dry sensation of being wood; then the grinding of the storm; then the slow, delicious ooze of sap. I like to think of it, too, on winter's nights standing in the empty field with all leaves close-furled, nothing tender exposed to the iron bullets of the moon, a naked mast upon an earth that goes tumbling, tumbling, all night long. The song of birds must sound very loud and strange in June; and how cold the feet of insects must feel upon it, as they make laborious progresses up the creases of the bark, or sun themselves upon the thin green awning of the leaves, and look straight in front of them with diamond-cut red eyes.... One by one the fibres snap beneath the immense cold pressure of the earth, then the last storm comes and, falling, the highest branches drive deep into the ground again. Even so, life isn't done with; there are a million patient, watchful lives still for a tree, all over the world, in bedrooms, in ships, on the pavement, lining rooms, where men and women sit after tea, smoking cigarettes. It is full of peaceful thoughts, happy thoughts, this tree. I should like to take each one separately­but something is getting in the way.... Where was I? What has it all been about? A tree? A river? The Downs? Whitaker's Almanack? The fields of asphodel? I can't remember a thing. Everything's moving, falling, slipping, vanishing.... There is a vast upheaval of matter. Someone is standing over me and saying­ "I'm going out to buy a newspaper." "Yes?" "Though it's no good buying newspapers.... Nothing ever happens. Curse this war; God damn this war!... All the same, I don't see why we should have a snail on our wall."
Source: OnLine Literature

Book Choice: The Waves

Maxim Gorky - Her Lover

Now, here's yet another great russian writer. Even though he's not as famous as Leo Tolstoy, Anton Chekhov or Fyodor Dostoevsky, Maxim Gorky is one of those few writers who could really talk about the Russian Soul. For you today here's the story of Her Lover:

An acquaintance of mine once told me the following story.
When I was a student at Moscow I happened to live alongside one of those ladies whose repute is questionable. She was a Pole, and they called her Teresa. She was a tallish, powerfully-built brunette, with black, bushy eyebrows and a large coarse face as if carved out by a hatchet--the bestial gleam of her dark eyes, her thick bass voice, her cabman-like gait and her immense muscular vigour, worthy of a fishwife, inspired me with horror. I lived on the top flight and her garret was opposite to mine. I never left my door open when I knew her to be at home. But this, after all, was a very rare occurrence. Sometimes I chanced to meet her on the staircase or in the yard, and she would smile upon me with a smile which seemed to me to be sly and cynical. Occasionally, I saw her drunk, with bleary eyes, tousled hair, and a particularly hideous grin. On such occasions she would speak to me.
"How d'ye do, Mr. Student!" and her stupid laugh would still further intensify my loathing of her. I should have liked to have changed my quarters in order to have avoided such encounters and greetings; but my little chamber was a nice one, and there was such a wide view from the window, and it was always so quiet in the street below--so I endured.
And one morning I was sprawling on my couch, trying to find some sort of excuse for not attending my class, when the door opened, and the bass voice of Teresa the loathsome resounded from my threshold:
"Good health to you, Mr. Student!"
"What do you want?" I said. I saw that her face was confused and supplicatory... It was a very unusual sort of face for her.
"Sir! I want to beg a favour of you. Will you grant it me?"
I lay there silent, and thought to myself:
"Gracious!... Courage, my boy!"
"I want to send a letter home, that's what it is," she said; her voice was beseeching, soft, timid.
"Deuce take you!" I thought; but up I jumped, sat down at my table, took a sheet of paper, and said:
"Come here, sit down, and dictate!"
She came, sat down very gingerly on a chair, and looked at me with a guilty look.
"Well, to whom do you want to write?"
"To Boleslav Kashput, at the town of Svieptziana, on the Warsaw Road..."
"Well, fire away!"
"My dear Boles ... my darling ... my faithful lover. May the Mother of God protect thee! Thou heart of gold, why hast thou not written for such a long time to thy sorrowing little dove, Teresa?"
I very nearly burst out laughing. "A sorrowing little dove!" more than five feet high, with fists a stone and more in weight, and as black a face as if the little dove had lived all its life in a chimney, and had never once washed itself! Restraining myself somehow, I asked:
"Who is this Bolest?"
"Boles, Mr. Student," she said, as if offended with me for blundering over the name, "he is Boles--my young man."
"Young man!"
"Why are you so surprised, sir? Cannot I, a girl, have a young man?"
She? A girl? Well!
"Oh, why not?" I said. "All things are possible. And has he been your young man long?"
"Six years."
"Oh, ho!" I thought. "Well, let us write your letter..."
And I tell you plainly that I would willingly have changed places with this Boles if his fair correspondent had been not Teresa but something less than she.
"I thank you most heartily, sir, for your kind services," said Teresa to me, with a curtsey. "Perhaps I can show you some service, eh?"
"No, I most humbly thank you all the same."
"Perhaps, sir, your shirts or your trousers may want a little mending?"
I felt that this mastodon in petticoats had made me grow quite red with shame, and I told her pretty sharply that I had no need whatever of her services.
She departed.
A week or two passed away. It was evening. I was sitting at my window whistling and thinking of some expedient for enabling me to get away from myself. I was bored; the weather was dirty. I didn't want to go out, and out of sheer ennui I began a course of self-analysis and reflection. This also was dull enough work, but I didn't care about doing anything else. Then the door opened. Heaven be praised! Some one came in.
"Oh, Mr. Student, you have no pressing business, I hope?"
It was Teresa. Humph!
"No. What is it?"
"I was going to ask you, sir, to write me another letter."
"Very well! To Boles, eh?"
"No, this time it is from him."
"Wha-at?"
"Stupid that I am! It is not for me, Mr. Student, I beg your pardon. It is for a friend of mine, that is to say, not a friend but an acquaintance--a man acquaintance. He has a sweetheart just like me here, Teresa. That's how it is. Will you, sir, write a letter to this Teresa?"
I looked at her--her face was troubled, her fingers were trembling. I was a bit fogged at first--and then I guessed how it was.
"Look here, my lady," I said, "there are no Boleses or Teresas at all, and you've been telling me a pack of lies. Don't you come sneaking about me any longer. I have no wish whatever to cultivate your acquaintance. Do you understand?"
And suddenly she grew strangely terrified and distraught; she began to shift from foot to foot without moving from the place, and spluttered comically, as if she wanted to say something and couldn't. I waited to see what would come of all this, and I saw and felt that, apparently, I had made a great mistake in suspecting her of wishing to draw me from the path of righteousness. It was evidently something very different.
"Mr. Student!" she began, and suddenly, waving her hand, she turned abruptly towards the door and went out. I remained with a very unpleasant feeling in my mind. I listened. Her door was flung violently to--plainly the poor wench was very angry... I thought it over, and resolved to go to her, and, inviting her to come in here, write everything she wanted.
I entered her apartment. I looked round. She was sitting at the table, leaning on her elbows, with her head in her hands.
"Listen to me," I said.
Now, whenever I come to this point in my story, I always feel horribly awkward and idiotic. Well, well!
"Listen to me," I said.
She leaped from her seat, came towards me with flashing eyes, and laying her hands on my shoulders, began to whisper, or rather to hum in her peculiar bass voice:
"Look you, now! It's like this. There's no Boles at all, and there's no Teresa either. But what's that to you? Is it a hard thing for you to draw your pen over paper? Eh? Ah, and you, too! Still such a little fair-haired boy! There's nobody at all, neither Boles, nor Teresa, only me. There you have it, and much good may it do you!"
"Pardon me!" said I, altogether flabbergasted by such a reception, "what is it all about? There's no Boles, you say?"
"No. So it is."
"And no Teresa either?"
"And no Teresa. I'm Teresa."
I didn't understand it at all. I fixed my eyes upon her, and tried to make out which of us was taking leave of his or her senses. But she went again to the table, searched about for something, came back to me, and said in an offended tone:
"If it was so hard for you to write to Boles, look, there's your letter, take it! Others will write for me."
I looked. In her hand was my letter to Boles. Phew!
"Listen, Teresa! What is the meaning of all this? Why must you get others to write for you when I have already written it, and you haven't sent it?"
"Sent it where?"
"Why, to this--Boles."
"There's no such person."
I absolutely did not understand it. There was nothing for me but to spit and go. Then she explained.
"What is it?" she said, still offended. "There's no such person, I tell you," and she extended her arms as if she herself did not understand why there should be no such person. "But I wanted him to be... Am I then not a human creature like the rest of them? Yes, yes, I know, I know, of course... Yet no harm was done to any one by my writing to him that I can see..."
"Pardon me--to whom?"
"To Boles, of course."
"But he doesn't exist."
"Alas! alas! But what if he doesn't? He doesn't exist, but he might! I write to him, and it looks as if he did exist. And Teresa--that's me, and he replies to me, and then I write to him again..."
I understood at last. And I felt so sick, so miserable, so ashamed, somehow. Alongside of me, not three yards away, lived a human creature who had nobody in the world to treat her kindly, affectionately, and this human being had invented a friend for herself!
"Look, now! you wrote me a letter to Boles, and I gave it to some one else to read it to me; and when they read it to me I listened and fancied that Boles was there. And I asked you to write me a letter from Boles to Teresa--that is to me. When they write such a letter for me, and read it to me, I feel quite sure that Boles is there. And life grows easier for me in consequence."
"Deuce take you for a blockhead!" said I to myself when I heard this.
And from thenceforth, regularly, twice a week, I wrote a letter to Boles, and an answer from Boles to Teresa. I wrote those answers well... She, of course, listened to them, and wept like anything, roared, I should say, with her bass voice. And in return for my thus moving her to tears by real letters from the imaginary Boles, she began to mend the holes I had in my socks, shirts, and other articles of clothing. Subsequently, about three months after this history began, they put her in prison for something or other. No doubt by this time she is dead.
My acquaintance shook the ash from his cigarette, looked pensively up at the sky, and thus concluded:
Well, well, the more a human creature has tasted of bitter things the more it hungers after the sweet things of life. And we, wrapped round in the rags of our virtues, and regarding others through the mist of our self-sufficiency, and persuaded of our universal impeccability, do not understand this.
And the whole thing turns out pretty stupidly--and very cruelly. The fallen classes, we say. And who are the fallen classes, I should like to know? They are, first of all, people with the same bones, flesh, and blood and nerves as ourselves. We have been told this day after day for ages. And we actually listen--and the devil only knows how hideous the whole thing is. Or are we completely depraved by the loud sermonising of humanism? In reality, we also are fallen folks, and, so far as I can see, very deeply fallen into the abyss of self-sufficiency and the conviction of our own superiority. But enough of this. It is all as old as the hills--so old that it is a shame to speak of it. Very old indeed--yes, that's what it is!

Source: OnLine Literature

Bio: Wikipedia

Oscar Wilde - The Selfish Giant

Now and again i like to return to the writings of that genius of a man, Mr. Oscar Wilde. For you today here's the story of The Selfish Giant:

Every afternoon, as they were coming from school, the children used to go and play in the Giant's garden.
It was a large lovely garden, with soft green grass. Here and there over the grass stood beautiful flowers like stars, and there were twelve peach-trees that in the spring-time broke out into delicate blossoms of pink and pearl, and in the autumn bore rich fruit. The birds sat on the trees and sang so sweetly that the children used to stop their games in order to listen to them. "How happy we are here!" they cried to each other.
One day the Giant came back. He had been to visit his friend the Cornish ogre, and had stayed with him for seven years. After the seven years were over he had said all that he had to say, for his conversation was limited, and he determined to return to his own castle. When he arrived he saw the children playing in the garden.
"What are you doing here?" he cried in a very gruff voice, and the children ran away.
"My own garden is my own garden," said the Giant; "any one can understand that, and I will allow nobody to play in it but myself." So he built a high wall all round it, and put up a notice-board.
TRESPASSERS

WILL BE

PROSECUTED

He was a very selfish Giant.
The poor children had now nowhere to play. They tried to play on the road, but the road was very dusty and full of hard stones, and they did not like it. They used to wander round the high wall when their lessons were over, and talk about the beautiful garden inside. "How happy we were there," they said to each other.
Then the Spring came, and all over the country there were little blossoms and little birds. Only in the garden of the Selfish Giant it was still winter. The birds did not care to sing in it as there were no children, and the trees forgot to blossom. Once a beautiful flower put its head out from the grass, but when it saw the notice-board it was so sorry for the children that it slipped back into the ground again, and went off to sleep. The only people who were pleased were the Snow and the Frost. "Spring has forgotten this garden," they cried, "so we will live here all the year round." The Snow covered up the grass with her great white cloak, and the Frost painted all the trees silver. Then they invited the North Wind to stay with them, and he came. He was wrapped in furs, and he roared all day about the garden, and blew the chimney-pots down. "This is a delightful spot," he said, "we must ask the Hail on a visit." So the Hail came. Every day for three hours he rattled on the roof of the castle till he broke most of the slates, and then he ran round and round the garden as fast as he could go. He was dressed in grey, and his breath was like ice.
"I cannot understand why the Spring is so late in coming," said the Selfish Giant, as he sat at the window and looked out at his cold white garden; "I hope there will be a change in the weather."
But the Spring never came, nor the Summer. The Autumn gave golden fruit to every garden, but to the Giant's garden she gave none. "He is too selfish," she said. So it was always Winter there, and the North Wind, and the Hail, and the Frost, and the Snow danced about through the trees.
One morning the Giant was lying awake in bed when he heard some lovely music. It sounded so sweet to his ears that he thought it must be the King's musicians passing by. It was really only a little linnet singing outside his window, but it was so long since he had heard a bird sing in his garden that it seemed to him to be the most beautiful music in the world. Then the Hail stopped dancing over his head, and the North Wind ceased roaring, and a delicious perfume came to him through the open casement. "I believe the Spring has come at last," said the Giant; and he jumped out of bed and looked out.
What did he see?
He saw a most wonderful sight. Through a little hole in the wall the children had crept in, and they were sitting in the branches of the trees. In every tree that he could see there was a little child. And the trees were so glad to have the children back again that they had covered themselves with blossoms, and were waving their arms gently above the children's heads. The birds were flying about and twittering with delight, and the flowers were looking up through the green grass and laughing. It was a lovely scene, only in one corner it was still winter. It was the farthest corner of the garden, and in it was standing a little boy. He was so small that he could not reach up to the branches of the tree, and he was wandering all round it, crying bitterly. The poor tree was still quite covered with frost and snow, and the North Wind was blowing and roaring above it. "Climb up! little boy," said the Tree, and it bent its branches down as low as it could; but the boy was too tiny.
And the Giant's heart melted as he looked out. "How selfish I have been!" he said; "now I know why the Spring would not come here. I will put that poor little boy on the top of the tree, and then I will knock down the wall, and my garden shall be the children's playground for ever and ever." He was really very sorry for what he had done.
So he crept downstairs and opened the front door quite softly, and went out into the garden. But when the children saw him they were so frightened that they all ran away, and the garden became winter again. Only the little boy did not run, for his eyes were so full of tears that he did not see the Giant coming. And the Giant stole up behind him and took him gently in his hand, and put him up into the tree. And the tree broke at once into blossom, and the birds came and sang on it, and the little boy stretched out his two arms and flung them round the Giant's neck, and kissed him. And the other children, when they saw that the Giant was not wicked any longer, came running back, and with them came the Spring. "It is your garden now, little children," said the Giant, and he took a great axe and knocked down the wall. And when the people were going to market at twelve o'clock they found the Giant playing with the children in the most beautiful garden they had ever seen.
All day long they played, and in the evening they came to the Giant to bid him good-bye.
"But where is your little companion?" he said: "the boy I put into the tree." The Giant loved him the best because he had kissed him.
"We don't know," answered the children; "he has gone away."
"You must tell him to be sure and come here to-morrow," said the Giant. But the children said that they did not know where he lived, and had never seen him before; and the Giant felt very sad.
Every afternoon, when school was over, the children came and played with the Giant. But the little boy whom the Giant loved was never seen again. The Giant was very kind to all the children, yet he longed for his first little friend, and often spoke of him. "How I would like to see him!" he used to say.
Years went over, and the Giant grew very old and feeble. He could not play about any more, so he sat in a huge armchair, and watched the children at their games, and admired his garden. "I have many beautiful flowers," he said; "but the children are the most beautiful flowers of all."
One winter morning he looked out of his window as he was dressing. He did not hate the Winter now, for he knew that it was merely the Spring asleep, and that the flowers were resting.
Suddenly he rubbed his eyes in wonder, and looked and looked. It certainly was a marvellous sight. In the farthest corner of the garden was a tree quite covered with lovely white blossoms. Its branches were all golden, and silver fruit hung down from them, and underneath it stood the little boy he had loved.
Downstairs ran the Giant in great joy, and out into the garden. He hastened across the grass, and came near to the child. And when he came quite close his face grew red with anger, and he said, "Who hath dared to wound thee?" For on the palms of the child's hands were the prints of two nails, and the prints of two nails were on the little feet.
"Who hath dared to wound thee?" cried the Giant; "tell me, that I may take my big sword and slay him."
"Nay!" answered the child; "but these are the wounds of Love."
"Who art thou?" said the Giant, and a strange awe fell on him, and he knelt before the little child.
And the child smiled on the Giant, and said to him, "You let me play once in your garden, to-day you shall come with me to my garden, which is Paradise."
And when the children ran in that afternoon, they found the Giant lying dead under the tree, all covered with white blossoms.

Source: Classic Reader

Anton Chekhov - At The Barber's

I think it's obvious by now that Anton Chekhov is one of my favourite short story writers. So, today, i invite you to follow me At The Barber's:

MORNING. It is not yet seven o'clock, but Makar Kuzmitch Blyostken's shop is already open. The barber himself, an unwashed,greasy, but foppishly dressed youth of three and twenty, is busy clearing up; there is really nothing to be cleared away, but he is perspiring with his exertions. In one place he polishes with a rag, in another he scrapes with his finger or catches a bug and brushes it off the wall. The barber's shop is small, narrow, and unclean. The log walls are hung with paper suggestive of a cabman's faded shirt. Between the two dingy, perspiring windows there is a thin, creaking, rickety door, above it, green from the damp, a bell which trembles and gives a sickly ring of itself without provocation. Glance into the looking-glass which hangs on one of the walls, and it distorts your countenance in all directions in the most merciless way! The shaving and haircutting is done before this looking-glass. On the little table, as greasy and unwashed as Makar Kuzmitch himself, there is everything: combs, scissors, razors, a ha'porth of wax for the moustache, a ha'porth of powder, a ha'porth of much watered eau de Cologne, and indeed the whole barber's shop is not worth more than fifteen kopecks. There is a squeaking sound from the invalid bell and an elderly man in a tanned sheepskin and high felt over-boots walks into the shop. His head and neck are wrapped in a woman's shawl. This is Erast Ivanitch Yagodov, Makar Kuzmitch's godfather. At one time he served as a watchman in the Consistory, now he lives near the Red Pond and works as a locksmith. "Makarushka, good-day, dear boy!" he says to Makar Kuzmitch, who is absorbed in tidying up. They kiss each other. Yagodov drags his shawl off his head, crosses himself, and sits down. "What a long way it is!" he says, sighing and clearing his throat. "It's no joke! From the Red Pond to the Kaluga gate." "How are you?" "In a poor way, my boy. I've had a fever." "You don't say so! Fever!" "Yes, I have been in bed a month; I thought I should die. I had extreme unction. Now my hair's coming out. The doctor says I must be shaved. He says the hair will grow again strong. And so, I thought, I'll go to Makar. Better to a relation than to anyone else. He will do it better and he won't take anything for it. It's rather far, that's true, but what of it? It's a walk." "I'll do it with pleasure. Please sit down." With a scrape of his foot Makar Kuzmitch indicates a chair. Yagodov sits down and looks at himself in the glass and is apparently pleased with his reflection: the looking-glass displays a face awry, with Kalmuck lips, a broad, blunt nose, and eyes in the forehead. Makar Kuzmitch puts round his client's shoulders a white sheet with yellow spots on it, and begins snipping with the scissors. "I'll shave you clean to the skin!" he says. "To be sure. So that I may look like a Tartar, like a bomb. The hair will grow all the thicker." "How's auntie?" "Pretty middling. The other day she went as midwife to the major's lady. They gave her a rouble." "Oh, indeed, a rouble. Hold your ear." "I am holding it. . . . Mind you don't cut me. Oy, you hurt! You are pulling my hair." "That doesn't matter. We can't help that in our work. And how is Anna Erastovna?" "My daughter? She is all right, she's skipping about. Last week on the Wednesday we betrothed her to Sheikin. Why didn't you come?" The scissors cease snipping. Makar Kuzmitch drops his hands and asks in a fright: "Who is betrothed?" "Anna." "How's that? To whom?" "To Sheikin. Prokofy Petrovitch. His aunt's a housekeeper in Zlatoustensky Lane. She is a nice woman. Naturally we are all delighted, thank God. The wedding will be in a week. Mind you come; we will have a good time." "But how's this, Erast Ivanitch?" says Makar Kuzmitch, pale, astonished, and shrugging his shoulders. "It's . . . it's utterly impossible. Why, Anna Erastovna . . . why I . . . why, I cherished sentiments for her, I had intentions. How could it happen?" "Why, we just went and betrothed her. He's a good fellow." Cold drops of perspiration come on the face of Makar Kuzmitch. He puts the scissors down on the table and begins rubbing his nose with his fist. "I had intentions," he says. "It's impossible, Erast Ivanitch. I . . . I am in love with her and have made her the offer of my heart. . . . And auntie promised. I have always respected you as though you were my father. . . . I always cut your hair for nothing. . . . I have always obliged you, and when my papa died you took the sofa and ten roubles in cash and have never given them back. Do you remember?" "Remember! of course I do. Only, what sort of a match would you be, Makar? You are nothing of a match. You've neither money nor position, your trade's a paltry one." "And is Sheikin rich?" "Sheikin is a member of a union. He has a thousand and a half lent on mortgage. So my boy . . . . It's no good talking about it, the thing's done. There is no altering it, Makarushka. You must look out for another bride. . . . The world is not so small. Come, cut away. Why are you stopping?" Makar Kuzmitch is silent and remains motionless, then he takes a handkerchief out of his pocket and begins to cry. "Come, what is it?" Erast Ivanitch comforts him. "Give over. Fie, he is blubbering like a woman! You finish my head and then cry. Take up the scissors!" Makar Kuzmitch takes up the scissors, stares vacantly at them for a minute, then drops them again on the table. His hands are shaking. "I can't," he says. "I can't do it just now. I haven't the strength! I am a miserable man! And she is miserable! We loved each other, we had given each other our promise and we have been separated by unkind people without any pity. Go away, Erast Ivanitch! I can't bear the sight of you." "So I'll come to-morrow, Makarushka. You will finish me to-morrow." "Right." "You calm yourself and I will come to you early in the morning." Erast Ivanitch has half his head shaven to the skin and looks like a convict. It is awkward to be left with a head like that, but there is no help for it. He wraps his head in the shawl and walks out of the barber's shop. Left alone, Makar Kuzmitch sits down and goes on quietly weeping. Early next morning Erast Ivanitch comes again. "What do you want?" Makar Kuzmitch asks him coldly. "Finish cutting my hair, Makarushka. There is half the head left to do." "Kindly give me the money in advance. I won't cut it for nothing." Without saying a word Erast Ivanitch goes out, and to this day his hair is long on one side of the head and short on the other. He regards it as extravagance to pay for having his hair cut and is waiting for the hair to grow of itself on the shaven side. He danced at the wedding in that condition.

Source: OnLine Literature